Join the Vancouver Chinese Film Festival for their renowned film screening on August 9th!

Taking place next month, the Vancouver Chinese Film Festival has set to screen various films relating to Chinese culture. By merging Canadian and Chinese audiences the festival allows Chinese culture to be seen by audiences at home and abroad. Their mission is to create a more inclusive Canada by promoting cross-cultural exchange. Below we have outlined five of the short films that will be screened at the Vancouver Chinese Film Festival on August 9th. 

1. Brick

Brick follows Wenxin, an architect who lives abroad. He returns to his hometown to bury his mother’s ashes. Upon arriving in his hometown, Wenxin finds himself at a classmate reunion. Here, he accepts the invitation of his classmate to act as a consultant for the renovation of the old district. It seems as if he has the ability to protect the nostalgic memories of the traditional district and the opportunity to enact his “dreams’ ‘ and “revenge.” Upon attempting to complete his dreams, he finds that he cannot achieve them. On the other hand, his revenge results in a new series of harm. Wenxin learns Yin and Yang, finding that life and death are a part of the natural law and the unity of men and nature is the true connotation of Feng Shui.

2. Ideal Homeland

The story takes place in the near future when AI (Artificial Intelligence) controls humans. In this future, the tables turn, and humans begin to work for AI. The hero of the story, Joe, is the carrier of AI’s sexual experience. He does the most mechanical task every day to obtain the credits on which we depend for survival in AI society. In such oppression of slavery, Joe desperately yearns for the freedom of independence.

3. A Zebra-Riding Boy

Based on the Impressionist-Southern author, Su Tong’s novels, Cavalryman and Paper, A Zebra-Riding Boy explores the combination of literature and commerce. Poor bow-legged teenager Zuo Lin has a dream to ride a horse in the most prosperous place of the city: the sad wooden horse cavalry, the happy zebra cavalry, the bleak and sad iron cavalry, and the brilliant paper cavalry all melt into one.

 

4. Churi

Churi is a short dramatic film about a young man who remembers his mother’s love through the act of making churi. The film weaves together the young man’s search for food and subsequent cooking with the memory of his mother cooking. The film artistically jumps between past and present. By doing so, it evokes the longing that pervades diasporic experience and explores how we carry memory and our roots in our bodies. 

Created by Namit Kataria, this film was made during his time in the InFocus Film Production Program!

5. Sisyphus the Turtle Chaser

Years ago, teenagers, Will and Liang Zi grew up together in Northeast China. When they were young, Will was lively and naughty. He was known as the”king of gambling,” becoming a master of all kinds of gambling and trickery. Liang Zi was his faithful follower. One day, the pair ran away from home. Many years later, the two adults find each other face to face in Beijing. Liang Zi had a southern girl Molly, while Will became a taxi driver. Both adults must figure out how to face each other years later.

 

Beyond screening films that promote Chinese culture, the VCFF aims to further develop China-Canada relations. Liu Fei, Consul General of the People’s Republic of China in Vancouver, saw the quality of cross cultural exchange in the Vancouver Chinese Film Festival. Fei vocalized his wish for more young individuals to contribute to cross-cultural exchange between the two continents. 

 

This year, the Vancouver Chinese Film Festival will be held as a joint festival with the Vancouver International Youth Film Festival. Reserve tickets for film screening here.

 

Other than the film screening, VCFF has many other events to check out. The Opening Ceremony will take place on August 8th at the Vancouver International Film Festival Theatre and the festival will conclude on August 13th at the Michael J Fox Theatre. 

 

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Learn more about the multi-talented filmmaker’s genius and the highly anticipated film, Jordan Peele’s Nope (2022).

By: Sophia Lin

There’s no doubt you’ve heard of the famous mind behind some of the best horror movies out there, from Get Out (2017) to Us (2019). Not to mention, one of the screenwriters for Candyman (2021) and the writer-director of the hugely anticipated horror film Jordan Peele’s Nope (2022). It goes without saying that Jordan Peele is a master of horror filmmaking… but the big question is, how does he do it?

Few directors are able to churn out hit after hit, and even fewer are able to redefine a genre. Peele has certainly done both, and we’re here to let you in on how. We will look into his writing process, his directorial style, and what exactly separates him from the rest. We’ll dive deep into his impact on the horror genre and the social commentary he embeds in his work. Without further ado, let’s get into how exactly Jordan Peele has become one of the best horror directors!

How Jordan Peele Became Jordan Peele

Let’s start from the beginning. What lead Jordan Peele to create some of the best horror films of our generation?

Jordan Peele famously started in comedy. While attending Sarah Lawrence College, he dropped out to perform in stand-up and improv. After various stints for four years, he finally got his first big break as an actor in the comedy series MadTV. This led him to meet his future collaborator Keegan-Michael Key and from there, the comedy sketch series Key & Peele was born.

As his work gathered acclaim and virality, including an Emmy nomination along the way, Peele broke into the directing world with his debut feature film Get Out. Both a critical and commercial success, Get Out launched Peele into international attention — and he hasn’t looked back since!

Jordan Peele’s Directorial Style

Society as the Greatest Evil

A trademark of a Jordan Peele horror movie is that it’s not really a horror movie. At least not in the traditional sense, in which a big bad must be overcome and destroyed. Peele has said that the antagonists in his films aren’t truly the source of evil, but rather, the system as a whole is evil.

In Peele’s words, his work explores “the horror of society”, focusing on the depravity already contained within humanity. One of the best examples is the Armitage family in Get Out — a reflection of America and the fatal racial tensions that lurk in today’s society.

Comedy and Horror

While it might not be surprising, Peele’s multifaceted experience in the industry factors into his unique voice as a horror director. More interestingly, it’s his work in comedy that informs his horror movies. One makes you laugh and one makes you scream, but as he says, there’s really a very thin line between the two realms.

 

Both are based in realism and relatability: comedy and horror both work the most effectively when the world feels believable, with only one or two heightened changes. Another crucial similarity comes in the timing. Well-timed jump-scares are truly no different than well-placed jokes in a story. It’s a matter of creating tension in the audience and then releasing it at the perfect moment. From his comedian days, Peele learned how to manipulate this release of tension, applying it just when the suspense becomes unbearable.

 

Contrast of Visuals and Sound

A more subtle decision that permeates Peele’s filmography is the idea that visuals deceive, whereas sound or aural information contains the truth. A clever trick, it makes for excellent plot twists and forces audiences to look twice, so to speak. The (spoiler alert!) doppelgängers in Us and the teaspoon clinking in Get Out are perfect illustrations.

 

Beyond that, it can act as a form of social commentary too. Harmful biases and judgments almost always come from visual determinations, and Peele’s horror films point out the fallacy at the root of this. Even with such understated devices, he sends a strong message: looks can — and are — deceiving.

 

Jordan Peele’s Creative Process

Getting Inspiration

New Jordan Peele movies seem to come out every few years or so, yet writer’s block is one of the biggest struggles that artists face. How does Peele overcome this? His first step when looking for inspiration, he says, is to listen to himself and his emotions. He assesses what makes him scared and uses that as a jumping-off point.

 

In that same vein, he sees autobiographical elements as an irreplaceable part of his brainstorming. He looks to bare his soul in some way — in fact, the key storyline in Us was inspired by his time growing up in New York City and staring at his own reflection while riding the subway. Peele’s own movie tastes come into it too: one of his mantras is to write his favourite film that he hasn’t seen yet.

Developing Ideas

With the initial conception spelled out, the tricky part is developing it into a full-fledged film. For Peele, he spends the bulk of his time planning the plot — Get Out’s plot took 4-5 years of planning. He then writes the actual screenplay in a matter of short months. He sometimes works out multiple endings and then eventually choosing one.

 

As he’s picking and choosing, cutting and rewriting, he likes to have a “democratic” approach to art. In other words, he diligently considers audience appeal and whether his work is accessible to all. Stemming from his improv days, Peele has spoken about how he values getting to “everybody in the room” — while making sure to balance this with his own artistry.

Building Creativity

With so many overdone horror tropes, creativity is a rare find in the genre. One of the crucial ways Peele figures out how to work in brand new ideas is not making them brand new. He sees the future of horror in the past, closely studying classics like The Stepford Wives and Rosemary’s Baby.

 

After getting to know the gambits of these classic horror movies , he employs them as the base, using them in a modern way For instance, Us takes after the historical horror element of shadow selves and the Other. In his Jordan Peele’s Nope (2022), he’s also incorporating early cinema, such as the iconic “Galloping Horse” shown in the trailer.

 

Jordan Peele’s Impact on Horror

What do recent horror hits like Fresh, The Black Phone, and Ma have in common? In one way or another, these films exhibit elements introduced into the horror genre by Jordan Peele. His impact on the genre has been massive despite his five short years as a horror director. We cannot wait to see what Jordan Peele’s Nope (2022) will add to the horror industry. Here are some of the indelible marks Peele has left on the industry:

Commentary on the Black Experience

The biggest differentiator when it comes to Jordan Peele movies is the one prominent aspect that he always slips into his reinvented horror devices.

 

Peele seeks to reimagine horror tropes from the perspective of a Black man in America, the most noteworthy being the white saviour trope. Commentary on the Black experience can be found in all his work, contained within countless concepts. Some significant examples include Us depicting the fear of the outsider and Get Out digging into white liberal racism.

 

Horror as Social Allegory

A commonly held notion is that studio and indie films simply cannot cross over. Peele’s work does what was previously considered impossible: the seamless melding of these two worlds. His redefinition of horror began with what he calls a “social thriller”, a genre film that pleases crowds while also taking a no-holds-barred look at hard-hitting issues of racism, classism, and political divisiveness. 

 

While horror is well-known as a subconscious reflection of society’s fears, Peele brings the collective consciousness to the forefront. His films bring to light discussions around whose fears get reflected in horror and the real systems that create fear.

 

Emphasis on Realism

It used to be that the wildly supernatural and unbelievable were the popular go-to in the realm of horror. Filmmakers seemed to think that the crazier they could make it, the more it would shock and scare audiences. Peele turned this entirely on its head. 

 

Instead, his films are rooted deeply in reality, sometimes even staying faithful to a certain era and location. Peele’s philosophy is, the more real something is, the more it’ll scare. So rather than feeling far-fetched, audiences connect more closely with the world he’s built. This means when the tables turn, it hits close to home, creating realistic fear.

 

Jordan Peele’s Nope (2022) – What We Know

The big talk of this summer is the upcoming horror film Jordan Peele’s Nope (2022). Not much is known about it yet, but Peele promises one of the biggest and most ambitious spectacles yet. Jordan Peele’s Nope takes place on an idyllic ranch and focuses on a sibling relationship as the duo comes into contact with an ominous force. The film will undoubtedly shed insightful light on the social issues Peele plans to explore further. Jordan Peele’s Nope (2022) looking to be another unforgettable entry in his horror filmography.

 

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Wondering what is the difference between 2D and 3D animation? We have the answers to all of your questions!

By: Sophia Lin

Animation sits at a unique position in the film industry. As one of the few fields to have astronomically advanced in the past few decades, it also holds the record as one of the fastest-growing disciplines. Valued to be a billion-dollar industry, animation’s storytelling can exceed the constraints of reality. Creating the fantastical, the magical, and the out-of-this-world is just another day at work in the world of animation.

 

It’s important to keep in mind, though, animation is just an umbrella term for the viewing of stills in sequence. For those looking to learn more or get into the industry, it’s crucial to get to know the two main disciplines: 2D and 3D animation. Respectively complex and in-demand in their own ways, there are a plethora of similarities and differences between the two. And there’s no doubt that differentiating between them might bring about some head-scratching questions. Which one should you choose? What is better? Is one easier or harder?

 

Well, we’re here to boil it down for you. We’ll dissect the ins and outs of both 2D and 3D animation, from the concepts behind the work to the day-to-day processes of animators. From there, we’ll discuss difficulty and suitability, and finish off with top-of-the-line softwares and platforms for animators of every level. 

What is Animation?

Despite all the technological advancements, the concepts at the heart of animation have never changed. Animation involves rapidly displaying still images in sequence. Each image differs slightly from the one before, and when they appear quickly in succession, it creates movement. Most often, the frames go by at a rate of 24 frames per second, closely mirroring the speed of movement that we perceive in real life.

 

The most basic form is the classic stop-motion animation, in which objects are moved in small increments and photographed between each change. These days, animation is digitized, spanning a variety of techniques from keyframing to simulation.

What are the Differences Between 2D and 3D Animation?

2D animation is vector-based, and as its name suggests, characters and environments are created only in a two-dimensional space. Width and height are the only qualities a 2D animator needs to draw. Rather than pixels, 2D animation uses vectors—pathways with start and end points that are connected by lines.

 

In 3D animation, characters and environments are three-dimensional. Animators use pixels and work to give objects weight and timing. Sometimes, blueprints are created from scanning real-world physical objects. For the most part, 3D animation tends to overlap with the VFX pipeline as well.

What are the Similarities Between 2D and 3D Animation?

The core concepts of 2D and 3D animation are the same: they both place characters and objects into a space and manipulate them to create the illusion of motion. Both disciplines are often computerized and require a great deal of detail-oriented work. All animators working in 2D and 3D must study the principles of motion to convincingly fabricate realistic-looking movements.

 

Beneath the surface, there are even further similarities. 

2D animation is broken down into the 3 stages of pre-production, production, and post-production: 

Pre-production builds the foundational pieces. Making storyboards, designing characters, and recording voice-overs make up most of this process.

Production is the central stage, when 2D animators gather the materials they have prepared and make the rough animations. This includes inbetweening, colouring, painting, and tracing.

Post-production simply enhances what’s already been done, adding sound effects and score, before finally rendering the animations.

 

3D animation is also composed of 3 main phases: modeling, layout and animation, and rendering:

Modeling is the preliminary mapping of an object, using points, lines, and curves to create an approximation of the final shape. Just like in 2D animation pre-production, this stage assembles the foundational pieces of characters, scenes, and objects. 

Layout and animation is likewise the central stage of the 3D animation process, and is exactly what it sounds like. Models are positioned and animated into scenes, followed by keyframing or motion capture.

Rendering, just like in 2D animation post-production, creates the finished images.

These are all skills that are needed for working at a 3D animation studio. Learn more about how to get hired at a 3D animation studio and the top 10 entry-level 3d animation jobs.

Which Is Harder, 2D or 3D Animation?

Neither is definitively harder or easier — it simply depends on an animator’s strengths and interests! 3D animation typically requires rigging, demanding a slightly more interdisciplinary set of skills. Animating an additional dimension and maintaining realism on all fronts are some of the considerations to attend to as well. This is why sometimes having an instructor lead you in your 3D animation journey is helpful when getting started. 

 

On the other hand, 2D animators must familiarize themselves with a variety of strategies too. Losing one dimension means that it can be trickier to achieve natural-looking motion, and as a result, it often demands a closer understanding of anatomy and physics. Inbetweening, which means creating additional drawings between each frame, is another such method commonly used in 2D animation.

 

Should I Learn 2D or 3D Animation? Which is Better?

As art forms, neither one is better than the other. There are, however, differences in where and how each is used, an important consideration interest-wise. 2D animations are used in social media content creation, such as short-form videos, infotainment, online advertising, and explainer videos. In the pre-Internet days, 2d animations were predominantly used in cartoons and that still continues today.

 

On the flip side, 3D animators work is most often seen in movies, TV, and video games. From an industry stance, though jobs are plentiful in both fields, 3D animation is on the rise more so than 2D. Nevertheless, 2D animation boasts a few distinct advantages too. Its biggest plus is that it’s cost-effective, demanding fewer platforms and with more manual, artistic work.

Why is 3D Animation More Popular?

For many, it’s simply a matter of the heightened realism that can be created with 3D animation. This enhances its versatility, enabling 3D animators to work in a variety of media. For instance, live-action movies can be smoothly combined with elements of 3D animation. Its overlap with VFX, another burgeoning field, boosts its popularity as well. In our increasingly complex digital landscape, 3D animation might be the better option if you are wanting to work in film and television. At this 3D animation school, you will learn everything there is to know about 3D animation for film and television. 

 

If I Want to Learn Both, Should I Learn 2D Animation or 3D Animation First?

Some say that more artistic minds choose 2D animation, while more technical minds choose 3D animation. It’s short and sweet, but when it really comes down to it, there are a myriad more factors in play. Both disciplines involve a wide-ranging set of skills, and your interests could pull you in many directions. So the best advice? Try them both.

 

Firsthand experience — and even just working on a couple animations — effortlessly guides you through the tasks. It’s the best replica of a day in the life of an animator there is! From there, take note of what draws your eye, what spurs your imagination, and what makes the time slip, slip away.

 

Check out our step by step guide for beginners on how to learn 3D animation to see how you can get started!

What 2D and 3D Animation Resources Are Out There?

Before you go out there, we assembled a handy list of animation software and platforms to help you dip your toe into the field. If you want to learn quickly, 3D animation schools are another excellent launching pad. They give you the resources you need always at your disposal. This means the sooner you can break into the industry and get animating!

 

2D Animation Software & Resources

Toon Boom Harmony is the industry-leading software. It has all the features a 2D animator will ever need, from compositing to deformers, but is on the pricier side.

 

Adobe After Effects is part of Adobe Creative Cloud. It’s the industry-standard visual effects and graphics software, with high-quality 2D animating functions.

 

Pencil 2D is an open-source, free software with a minimalistic user design. It works with both raster and vector, and hails as one of the most commonly used softwares.

 

The Animation Magazine is an online publication, featuring news, technology, events, and business pertaining to the animation industry.

 

OpenToonz is another open-source and free software great for both student and professional animators. This software was also used in some Studio Ghibli cuts!

 

3D Animation Software & Resources

Autodesk Maya is the industry-leading software. It boasts functionality from explosions to cloth simulation — but be sure to note that it is one of the priciest platforms out there.

 

The Animator’s Resource Kit is a site focusing on 3D animation that includes anything from a job spreadsheet to an animator’s survival kit, all free to access!

 

Animate, also in Adobe Creative Cloud, allows animation of just about anything. It supports multimedia interests and enables users to publish to any platform.

 

Blender is an open-source, free software offering a 3D graphics creation suite. It includes animation and rigging tools, as well as an array of modelling tools.

 

Animation World Network is a journalistic culmination of all things animation, with both digital and print options. Commercial releases and advice from industry experts are just a few of the headlines.

 

Forums & Networks

Animators’ Reddit is an online forum that keeps users anonymous and features discussions from animators of all disciplines around the world.

 

Unity Forum: Animation is an accessible hub of online discussion. Its format is question-answer based, with anonymity for users as well.

 

The Internet Animation Database is an animator-specific compendium that focuses on gathering animation information and research, along with a frequented discussion channel.

 

The Animation Cafe is a safe space for questions and debate on aspects of the animation industry. Many experienced professionals pitch in, making it a valuable destination for insight into the art and business of animation.

Conclusion

At the end of the day, 2D and 3D animation each have their particular processes and demands, with differing pros and cons depending on who you are! Some might take pleasure in the fine-grain work of inbetweening in 2D, while others are ready to mix in some motion capture with their days at the drawing board.

 

So, the name of the game is to follow your interests. Dip you toes into 3D animation courses. Try both 2D and 3D animation, and take a stab at each of the phases along the way. In short, explore, explore, explore! Then you’ll know when you’ve found the one.

 

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Here are seven Indigenous filmmakers located across Canada that you need to explore!

By: Sophia Lin

With National Indigenous Peoples Day around the corner, we are spotlighting some of the incredible Canadian Indigenous filmmakers in the business today. Working as directors, producers, screenwriters, and actors, these talented artists have lent their skills and unique voices to some of the best work in Canadian film.

1. Tracey Deer

Tracey Deer is a Mohawk director and screenwriter. In her words, she seeks to better the world “one frame at a time.” Her feature film Beans (2020), is a coming-of-age tale set during the Oka Crisis. Recently, it was screened and honoured at the Toronto International Film Festival.

 

Additionally, her work was screened at the 2010 Vancouver Olympics. As well, she has been broadcasted on CBC. With her own production company, Mohawk Princess Productions, Deer plans to produce fiction shorts.

2. Jeff Barnaby

A Mi’kmaq filmmaker from Quebec, Barnaby has two acclaimed feature films under his belt. His first film, Rhymes for Young Ghouls (2013), premiered at TIFF. It tells a harrowing story in the context of the residential school system.

 

A year later, Barnaby was contacted by the National Film Board of Canada. They reached out for him to film a short documentary. His film Blood Quantum  (2019) showcasing Mi’kmaq voices, putting a twist on the classic zombie genre.

3. Loretta Todd

Loretta Todd began in TV and documentary work, before getting into directing. Her debut narrative feature was Monkey Beach in 2020. Adapted from Eden Robinson’s eponymous novel, it opened to much acclaim at the Vancouver International Film Festival.

 

She is a filmmaker of mixed Cree-Métis and European ancestry and has worked in a variety of media, including animation and interactive. In 1998, she received a lifetime achievement award from the Taos Talking Pictures Festival.

4. Bretten Hannam

Hannam is a Two-Spirit L’nu screenwriter and director. With their latest film Wildhood (2021), they sought to tell a never-before-seen Two-Spirit story of a young man rediscovering himself. He embarks on a road trip through Eastern Canada and reconnects with his heritage. It received six Canadian Screen Award nominations, marking a historic moment for queer BIPOC Canadian artists.

 

Their work, both shorts and feature-length, focuses around themes of community, culture, and LGBTQ+ identity, and has been honoured at festivals around North America.

5. Amanda Strong

A multiple award-winning Michif filmmaker, Strong’s work lies mainly in the realms of stop-motion, animation, and virtual reality. She takes an interdisciplinary, multi-layered approach to her work, creating some of the most innovative projects out there — including Biidaaban (2018) and Four Faces of the Moon (2016).

 

Her production company Spotted Fawn Productions is a large part of her mission to reclaim Indigenous histories, lineage, and culture.

6. Danis Goulet

Sundance, Berlin International Film Festival, and MoMA have all screened many of Danis Goulet’s films. Of Cree-Métis descent, she is one of the foremost emerging Indigenous filmmakers today. Most recently, she won the TIFF Emerging Talent Award with her debut feature Night Raiders (2021). 

 

She got her foot in the door as a casting coordinator, then dove into the directing side of the industry. By doing so, she honed creative control over Indigenous stories. In 2021, she completed production on a thriller film for Netflix.

7. Christopher Auchter

Chris Auchter grew up in Haida Gwaii, BC. An animator, illustrator, and documentary filmmaker, his work deeply roots his storytelling in the Haida people and their land. His 2017 short, The Mountain of SGaana (2017), creatively combined traditional animation with elements of Haida art.

The films he creates are often hailed as innovative and integrative. How People Got Fire (2009) was an animation film he made, entirely using charcoal, for the National Film Board of Canada.

 

These seven Indigenous filmmakers are incredibly influential in the Canadian film industry. Their work is redefining Canadian film and we cannot wait to see what stories they share next.

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Wondering how to become a VFX artist? We have everything you need to know about how to learn VFX compositing and make your mark in the industry!

By: Kennedy Randall

Visual effects (VFX) makes up the computer-generated images that you see on the screen. Whether it’s the monster that comes out from under the bed, the epic good vs. evil superhero battles, or the dinosaurs in Jurassic World, these characters and scenes come alive through VFX. And this is true in all forms of media in the entertainment industry today. Not only do blockbuster movies need visual effects, but so do advertisements, commercials, TV series, and more. 

Pursuing a career in VFX means you are creative, handy with technology, and looking to tell visual stories. There are many different roads you could take in the VFX industry. In this guide on how to become a VFX artist, we’ll tell you what VFX artists do, where VFX artists work, and VFX artist salary. Keep reading to learn everything you need to know about a career in VFX. 

What Do VFX Artists Do?

VFX is a wide term to describe artists who use computer software to create computer generated images (CGI) that are unable to be captured by a camera. These digital assets are combined with live action shots and are integrated into most movies and television shows nowadays. 

Within this broad umbrella of VFX, there are dozens of different roles that are employed at the studio, which we will go over in a moment. This is called the VFX pipeline, which is the process of different VFX roles who work together to make computer generated images and bring all these different elements to life on screen. If you become a VFX artist, there are many different roles you could undertake. 

Below, we have outlined some of the roles that make the VFX pipeline run smoothly.

 

Types of VFX Work

1. Previsualist

Firstly a previsualist, you will create 3D animated versions of film storyboards. You need to know how to use 3D software to create the director’s vision. 

2. Concept Artists

Concept artists take a brief, prepared by the client or a supervisor, and turn that into something that can come alive on screen. They guide the rest of the pipeline artists as they create the movie. 

3.Modellers

To create the environment on screen, modellers create the objects, characters, and landscapes in 3D. You will have to know how to model just about anything, because your projects will vary! Modellers need immense flexibility and skill.

4.Texture Artists

After the models are created, texture artists apply shaders to the mesh, which is the primary structural build of a 3D model. This is a time consuming process, as this is what makes the models look realistic on screen. Use your patience and skill to work with the rest of your team to create a realistic end result. 

5. Riggers

From there, riggers take a model and build the character’s skeleton so it can be animated and move on screen. You will bridge the work between the modeller and the animator, making sure that the animator can create visuals that move realistically from the model. 

6. Matte Painters

Matte painters work from the concept artist’s work to create realistic environments for the animations to be integrated on seamlessly.

7. 3D Animator

At this stage, it is passed to the 3D animator who takes a character and object and makes it come live! Because this is a hefty job, some studios spread out the types of animation across different roles like junior animators, assistant animators, stop motion animators, and many more

8. Technical Directors

Technical directors (TD), then use special effects to create effects such as explosions, water, debris, and more. There are also lighting TDs who replicate realistic lighting in the shots. There are also rendering TDs, who ensure that everything is running smoothly on the computer end of the pipeline. 

9. Compositor

The compositor puts all of these elements together, using a keen eye for detail to integrate elements of a shot. Unsurprisingly, this takes a lot of patience and time to figure out solutions to get all the various elements of the pipeline to work together. 

10. Roto Artist

Roto artists work alongside the compositor to create the mattes they need. These artists are huge team players, making everyone’s lives easier. Many compositors begin as roto artists, meaning this is a role you can move up from!

11. Pipeline TD

Finally, there is a pipeline TD who is a team player, overseeing the entire pipeline and making it run efficiently and smoothly. You need to know how to troubleshoot the entire pipeline, using knowledge of each position and how they work together in order to solve problems that may arise. 

 

Where do VFX Artists Work?

VFX artists work wherever entertainment industries are found. VFX artists either work with a studio or freelance, working on things from games, film and television. This is especially common in major city centres that have companies looking for VFX artists. The first places people think of are Los Angeles and London but prestigious studios exist everywhere. There is WetaFX in New Zealand or Animal Logic in Sydney, Australia. 

You also might be surprised to learn Canada also has many VFX studios, mainly located in Vancouver, Montreal, and Toronto. The VFX industry in Vancouver (otherwise called Hollywood North) is booming, with many companies growing and relocating to the area. There are also many opportunities to study in these VFX hubs, with courses like this 6-month program that can set you up for success in the VFX industry and become a VFX artist.

Sony Pictures Imageworks is one of Vancouver’s largest VFX and animation studios. With opportunities to work on movies like Guardians of the Galaxy and Spiderman, keep your eyes posted for job listings once you learn VFX and compositing. 

Industry Light and Magic (ILM) is a visual effects studio located in Vancouver that has worked on Marvel Universe films like Infinity War, Black Panther, Thor: Ragnraok and more. Further, DNEG (Double Negative) is a star in the VFX Vancouver world. They have won a slew of awards including 5 Academy Awards, 5 Bafta Awards, and 11 Visual Effects Society Awards.

A city like Vancouver is a great place to become a VFX artist, full of opportunities and impressive companies. 

As well, Montreal has many companies like Digital Domain, Mill Film and Mr. X Inc, which has offices in both Montreal and Toronto. Canada’s VFX industry is booming, and there is no better place to get your career started!

 

What is a VFX Artist’s Salary?

When considering how to become a VFX artist, you may be wondering how much do VFX artists earn? According to Glassdoor, Vancouver’s VFX industry is paying well! A VFX artist’s salary in Vancouver is around $57,179 and is predicted to rise. Across Canada, the average VFX artist salary is $55,741, meaning wherever you go in Canada, VFX is booming. As the demand for VFX grows, the average Canadian VFX salary increases with it, with expected growth in the next couple years. 

Why are VFX Artists in Demand?

Nowadays, VFX artists are in high demand and continue to be as our world becomes increasingly digitized. Most of the movies and television shows nowadays use VFX and this will increasingly continue to be the case. As well, VFX artists are needed now outside of the entertainment industry, in advertisements, various commercial companies, and more. 

With this in mind, VFX is a highly employable industry and it will continue to be for years to come. Now that it is the standard for visual effects to be used in many films, it will never go away. Rather, it will continue becoming more advanced and creative. If you become a VFX artist, the opportunities where you can work will continue to grow. 

Overall, when wondering how to become a VFX artist, there are many different roles and places where you can work. Therefore, all that’s left to do is to master the skills and follow your dreams. Once you learn VFX and compositing, nothing can stop you. Work hard, be persistent, and soon we’ll all see your work on the big screen. 

 

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