InFocus Film School Blog

Written by Victor van der Merwe

 

The one thing all filmmakers have in common is the problem of finding money for a project. Steven Spielberg has that problem, David Lynch has that problem and yes, first time filmmakers have that problem. The reason is because, unlike other art forms, this is a very expensive medium to work in. Of course, Spielberg and Lynch can point out projects that prove they can get the money back to investors. Sadly, your profit margins might not yet compare to theirs. This does not mean that you cannot raise the funds needed to make your masterpiece though. Here are five ways new filmmakers can get funding for their projects.

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Written by Johnny Papan

 

The art department is in charge of the decorative, tangible visual aesthetic of cinema. It’s responsible for how a character dresses, why they dress that way, what their house looks like, what their job-cubicle looks like, etc, etc.

 

Every choice made by the art department is in service to subtly give audiences a deeper look into the world and characters.

 

“Generally speaking, I start with the character,” explains Charles Whiteway Wilkinson, who has worked both as a professional industry Production Designer and Art Director. “I think who’s room is this? Who are they? What do they do? Do they have kids? Are they single/married? Old/young? From here I determine the era, colours, quality of furniture, artwork, photograph, etc.”

 

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Who doesn’t love animals in film? Whether to delight or to scare, animals have played some of the most iconic roles. Where would we be without Lassie or Airbud? Or the nameless horde in Birds?

 

So let’s say your script includes animals. You can’t expect them to act like your human actors and likewise can’t expect to treat them as such. The rules surrounding animal performers can seem daunting at first, but this guide will break filming with animals down into a manageable process.

 

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By Johnny Papan

 

The Academy Awards were created to recognize excellence in the hard-working world of cinema. Embarking on its record 90th ceremony this year, the Dolby Theatre in Hollywood, California will be hosting the movie industry’s brightest stars as they walk the red carpet in hopes of capturing that illustrious golden Oscar-statue. The Oscars bring attention to every aspect of film—from story to technical and creative execution—and give everyone from the director to the (usually under-recognized) sound editor a chance for well-deserved recognition.

 

This year features an eclectic mixture of cinematic stylings from directors, writers, actors, cinematographers and film crews from all walks of life. Hollywood blockbusters are in competition with indie-darlings, creating intrigue for those who want to know whom the Academy of Motion Picture Arts and Sciences deems the most deserving of the Oscar.

 

Three filmmakers are in a special spotlight this year, as their visions as both writer and director have also put each of their films in contention for best picture, each completely unique from one another. Guillermo del Toro, Greta Gerwig, and Jordan Peele have captained three of the most talked about films of the last year. It’s no surprise they’re all up for the same three Oscars: Best Picture, Best Screenplay, and Best Director. Here is a comparison of the trio.

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by Julia Courtenay

 

Foley—the addition of sound effects in post-production—is probably one of the most under-appreciated arts in film production.

 

The sound effects designed by Foley Artists are often as mundane as footsteps, keyboards, kettles etc. but they can stretch to the gory sounds of tearing flesh and crunching bones, to the sound of alien life forms and futuristic technology.

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