Though we’re no longer building Colosseums to watch people die gruesomely, violence is still a fan favourite on the big screen. But just because the fights aren’t real doesn’t mean filming them isn’t dangerous. Having violence and weapons on set means you must follow strict rules and guidelines to ensure everyone walks away intact.
Note: Much of this advice is from a Vancouver perspective. However, these are still solid guidelines for anywhere.
Is there a good reason to invest time and money into film school or can it all be learned on the job?
On-set learning is better suited for those who are happy to stay in one department with one specific skill set. Those who desire to move up in the industry and have greater control over the creative process should be equipped with a wide, practical understanding of the entire production process. Having gone through the full production process already, film school graduates are well-rounded filmmakers who will already have the skills needed when promoted.
by Renee Sutton
At the mercy of the world economy and great forces of nature, Julia Ivanova’s latest NFB documentary was a story that just wouldn’t stop unfolding. While no filmmaker can be entirely sure where they will end up when they begin the process of making a documentary, Ivanova’s Limit is the Sky (2016) was pulled from the editing stage back into production, three times.
This non-traditional environmental film follows how the rise and demise of Fort McMurray has affected some of the younger residents. “It’s a portrait of Fort McMurray, and of Canadian millennials searching for money, identity and success in the heart of the Alberta oil sands,” Ivanova said. She said her focus was not on the shifting political landscape, but instead on the stories of the people that it affected. What Ivanova didn’t anticipate was that it would take four years to complete the film, as new events and tragedies important to the story occurred in the process of editing.
If you love filmmaking, overdosing on popcorn, and waiting in line ups, then you’ve probably seen a film at a film festival before. Festivals have a certain exciting frequency to them as audience members, celebrities and filmmakers all enjoy the same viewing screen. But for a new filmmaker, festivals can be daunting new territory.
InFocus alumni Sarah Race’s student film, Barbarian Press (2016), has been screened at a dozen festivals around North America. Race felt clueless when she entered the festival world—but even though she spent more money on festivals than on the cost of her film, it was all worth it. “To me, it was all about the experience, about all the amazing people I met, how awesome people were, and all the learning curves,” said Race.
Race was encouraged to submit Barbarian Press (2016) by her InFocus instructors, and her film won official selection at Hot Docs in 2016. The decision to take the festival route has been very beneficial for her networking but has limited the potential audience for her film, as opposed to if she had posted her films on an online platform like Youtube. “Film festivals only have a very small audience of a specific sort of people that go to film festivals,” she said.
No matter how much care a screenwriter may put into their script, it only takes one rogue actor with a penchant to ad-lib to completely derail their meticulously written dialogue. There are a number of infamous scenes that have come from this process.
Perhaps one of the most iconic scenes is in Raiders of the Lost Ark (1981), when a swordsman, theatrically brandishing a sword, confronts a weary Harrison Ford, who had been recovering from a bout of dysentery on set. With the expectation that an elaborate fight would follow, audiences were surprised and delighted when Ford simply pulled out his gun and blasted his foe away. This improvised moment resonated with fans because it felt fresh and unpredictable in an otherwise polished film.
But what would an entirely improvised film look like?
by Renee Sutton
International Women’s Day is a global celebration of the social, cultural, and economic achievements of women around the world, and an opportunity to celebrate and reflect on some of the most badass women in film, both in history and today.
The role of women in the film industry has changed dramatically since the early days of Hollywood, when most women on set were on-screen bombshells or at least deemed marketable by the big studios. While film is statistically still a male-dominated industry, more and more women are moving into key creative positions and making highly acclaimed and celebrated films in both the independent and studio world.
Margaret Atwood eloquently captured the struggle of many emerging writers when she said: “If I waited for perfection, I would never write a word.” Although it’s much more romantic to imagine screenwriting as a god given talent rather than an acquired skill, the truth is that the key to becoming a skilled screenwriter is to take risks, make mistakes, and practice, practice, practice.
The hardest part of improving your screenwriting skills is mustering up willpower to dedicate some time each day to work on it. The easiest part is finding screenwriting prompts online. There is a wealth of free and easily accessible exercises that will help cut through even the most stubborn writer’s block.
Here’s a few of our favorites:
Running your own film production company is an appealing prospect: being your own boss, hand-picking projects and being intimately involved in all aspects of production. Whether you are striving to make a living, or creating a launching pad for passion projects, here are a few factors to consider.
With networks like Comedy Central, HBO and truTV now picking up webseries as full length shows, the race to produce marketable content is on. Here are four tv shows that got their start online:
Drunk History
On August 6th, 2007 Mark Gagliardi drank a bottle of Scotch…and then discussed a famous historical event.
True to its name, the premise of Drunk History is based on an inebriated narrator attempting to retell an historic event in American history, with dramatic recreations shot to illustrate the story. The webseries was launched by Funny or Die in 2007 and featured an impressive rotating cast of comedic talent.
In 2010 the episode titled Drunk History: Douglass & Lincoln, starring Will Ferrell and Don Cheadle, screened at the Sundance Film Festival and took home the award for Best American Short.
Will Ferrell and Adam McKay came onto the series as executive producers, and Comedy Central picked it up for a series, which premiered in 2013. The show is currently in its third season.
Still from Beasts of the Southern Wild
By Freddie Kim
Cinematography in indie filmmaking is a constant negotiation between financial reality and creative vision. With that in mind, should indie cinematographers consider Super 16mm more seriously? There are some sound arguments for it.
Financially, film may not be as expensive of a choice as most would think. Arri CSC still rents out Arri 416 and Arri SR3 packages to students, and indie filmmakers. Rental houses will often work to make packages that are appropriate for their budget and the project. If you opt for Arri SR2, the option becomes even cheaper.
In the Vancouver area, for example, Cineworks offers SR2 packages for $400 a week. With the trend moving towards digital, the cost of rentals for film cameras is expected to go down even further.
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