InFocus Film School Blog

 

Despite the Hollywood franchise hold on worldwide audiences, and $100 million dollar plus budgets, low budget and independent films are making their mark and drawing bigger audiences and financial windfalls. The years 2014-2015 saw a boon of financial and festival success for low budget independent films and filmmakers mostly outside of Hollywood.

According to renowned New York Times film critic David Edelstein, “none of the great material came from Hollywood studios.” Studios are directing their financial resources into sequels and comic-book movies, which leaves little room for “creative expression, and for doing something weird and potentially boundary-moving.”

Due to audience demand, changes in distribution and access to online viewing, low budget movies are once again making headway into the mainstream market. Audiences are becoming more sophisticated and demanding quality stories and characters over CGI and big explosions.

Here are ten low budget movies (under $20 million) that did spectacularly at the box office and in the eyes of award givers and worldwide audiences.

 

“Ex Machina” (2015)

Director and Writer: Alex Garland

Budget: $15,000,000

Alex Garland makes his directorial debut with a film that is both visually stunning as well as cerebral. Following in the footsteps of Blade Runner, Ex-Machina has the audience questioning the nature of human consciousness and where Artificial Intelligence fits into our world. A coder at an internet-search giant wins a contest to spend a week in a mountain retreat belonging to a reclusive CEO of the company. He soon realizes he has been chosen to take part in a strange but enticing Artificial Intelligence experiment. Ava is a highly sophisticated AI and he must evaluate her consciousness through a series of tests. Ava is beautiful – and her emotional intelligence, and deceptiveness proves beyond what both men could ever imagine.

Watch The Trailer 

 

Heart of a Dog (2015)

Director and Writer: Laurie Anderson

Budget: $500

No, I didn’t have that stuff [a budget]. I just started shooting with my Canon 5D, and I shot about 80% of the film in the end.” Laurie Anderson

Akin to a personal essay, Laurie Anderson, partner of the late musician Lou Reed, directs a tearjerker of a film. An homage and remembrance of her dog Lolabelle, the film is a mix of animation, realistic footage from the animal’s life and imagined scenes reflecting on life and death. Heart of a Dog reminds us that these creature companions are as intertwined in our emotional lives as we are our in theirs. We find out that Lolabelle was a spirited canine with creative ambitions like piano playing and painting.

Heart of a Dog was selected to screen in the main competition section of the 72nd Venice International Film Festival after premiering at Telluride Film Festival on September 4, 2015. The film was nominated for Best Documentary at the 31st Independent Spirit Awards and was shortlisted for the Academy Award for Best Documentary Feature on December 1, 2015.

Reed also makes an appearance in this film as a doctor in a memory re-enactment sequence, and contributes a song to the closing credits

Watch The Trailer

 

Timbuktu (2014)

Director: Abderrahmane Sissako

Writers: Abderrahmane Sissako, Kessen Tall

Budget: $2.5 million

2timbuktuTimbuktu, is a film that draws us into a world and a place that has been both romanticized and vilified by the West. An Oscar nominee this year for best foreign language film, director Abderrahmane Sissako, sets his film in the ancient Malian city of Timbuktu that in 2012 was seized by an al-Qaida group whose regime of terror outlawed music, dancing, laughter and soccer. Central to this story is a cattle herder and his family who live peacefully in the dunes outside of the city despite the chaos brought by the regime. However their lives are soon abruptly changed.

Watch The Trailer

 

Anomalisa (2015)

Directors: Duke Johnson, Charlie Kaufman

Writers: Charlie Kaufman

Budget: $8 million (crowd funded by Kickstarter)

Director Charlie Kaufmann (Adaptation) once again delves into a topic he comes back to again and again; the mundanity of life and how to somehow make it extraordinary. Kaufmann’s ability to return to this theme without seeming redundant is a unique talent to have, and turning to animation works well. A motivational speaker who is not very motivated himself is stuck in a hotel room while in Cincinnati waiting to give a talk at a conference. He is crippled by thoughts of his repetitive life. He imagines the people he has met at the conferences, his wife, and his child are starting to look like one big mass of the same person. In order to disrupt this mind melding train of thought he hopes to meet up with an old flame who lives in the city, in hopes he can make it up to her about the way they broke up. The meeting doesn’t go the way he has planned. Now alone and depressed he meets a stranger who is different and slowly becomes a cure for his bleak view of life and could possibly change his life forever.

Watch The Trailer

 

Clouds of Sils Maria (2014)

Director and Writer : Olivier Assayas

Budget: $ 6.6 million

Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz are a tour de-force in this scenic masterpiece of existential quandary, aging and forgone youth. Set in the Swiss Alps, Maria Enders, a middle-aged actress at the height of her career is face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career twenty years ago.

Originally playing the role of an alluring young woman who drives her boss to suicide, Enders is now in the role of the older boss. Sigrid a young, volatile Hollywood actress is to take on the role Enders once played. Now Enders finds herself on the other side, face to face with a younger woman who is an unsettling reflection of herself. She and her assistant retreat to the Swiss Alps to prepare for the role and come to terms with being a middle-aged actress in a youth obsessed world.

Watch The Trailer

 

Tangerine (2015)

Director: Sean Baker

Writers: Sean Baker, Chris Bergoch

Budget: $100,000

Tangerine delves head first into the gritty world of transgendered sex work in Hollywood, Los Angeles. Shot entirely on the iPhone 5s, director Sean Baker is granted access into a world of characters based on real-life working girls and the culture surrounding them. The characters deal with discrimination and hateful actions from many, yet find acceptance in the least expected of people: an Armenian taxi driver. Beneath all of this is a heartbreaking and hilarious story of Sin-Dee a sex worker recently released from jail who goes on a rampage searching the streets for the pimp who broke her heart.

Watch The Trailer

 

Girlhood (2014)

Director and Writer: Céline Sciamma

Budget: Under $100,000

GirlhoodBanner-m35a9xhl2g9hhy13woc954ksxkvn4tj2s82u8rlfuwInspired by the real life world of teenage girls she would see hanging out in Paris shopping malls and train stations, director Celine Sciamma was compelled to dig deeper and find out more about their lives. Girlhood is an authentic, lyrical and gritty coming of age story of a young black girl growing up in the rough suburbs of Paris. With a dynamite soundtrack that uses the Rihanna song “Shines like a Diamond” as a thread throughout the movie, Girlhood is full of life with an almost exclusively female cast, giving this film an honest agency.

Watch The Trailer

 

Room (2015)

Director: Lenny Abrahamson

Writers: Emma Donoghue, (screenplay) Emma Donoghue (based on the novel by)

Budget: $6 million

Room is the surprising Canadian-Irish 2015 smash hit directed by Lenny Abrahamson and written by Emma Donoghue, based on her novel. This chilling and claustrophobic film starring, Brie Larson as Joy Newsome, takes place in an enclosed space, where Joy has been kept captive for seven years. She and her 5-year-old son finally gain their freedom, allowing the child to experience the outside world for the first time.

Room was written well before the 2014 revelation that three women had been held captive for ten years in a house in Cleveland. This real life nightmare makes Room even more gut wrenching and terrifying, yet surprisingly hopeful.

Watch The Trailer

 

The Lobster (2015)

Director: Yorgos Lanthimos

Writers: Yorgos Lanthimos, Efthymis Filippou

Budget: $4 million

the_lobster_cadreYorgos Lanthimos (Dogtooth, 2009) directs his English language feature film debut. The Lobster is a strange and jarring film with many layers to peel off. Part science fiction part dystopian nightmare, the film tells the story of a place where people who are single are given forty-five days to find a romantic partner or they are turned into an animal of their choosing. The film stars Colin Farrell who chooses to be a Lobster if he fails to find someone. It was selected to compete for the Palme d’Or at the 2015 Cannes Film Festival and won the Jury Prize. It was shown in the Special Presentations section of the 2015 Toronto International Film Festival.

Watch The Trailer

 

Force Majeure (2014)

Director and Writer: Ruben Östlund

Budget: $5 million

Force Majeure (Swedish: Tourist) is a 2014 Swedish drama that exposes a society’s (and a family’s) entrenched expectation of the patriarchal role men should play, even in the modern world. Marital tension rises after an avalanche during a ski holiday, during which the husband Tomas is believed by his wife to have prioritized his own escape over the safety of his family. The script and cinematography are praiseworthy, with hints of playfulness and dark humour. The title force majeure, is also the name for a contractual clause freeing both parties from liability in the event of unexpected disasters.

Watch The Trailer

Janalee Budge, who hails from Whistler, BC, has a background in art direction and graphic design, giving her work a unique artistic style. “I want to make visually beautiful documentaries and with (my biography film) Unbound, that magical and super beautiful visual style is what I’d like to explore.”

Janalee took a leap of faith in going back to school to study filmmaking, and leave her relative work security – but it’s a leap that is paying off. “I was looking for a course that I could take part time, so I took a one day course to see what [InFocus] was all about, and I was super happy with it. So I decided to do the drama and documentary six month course. I was working as an art director before, and I was in charge of corporate ads and webisodes, but I wasn’t very hands on.“

Janalee is an avid believer in strong visual themes and images in her films but since studying at InFocus, her ideas and themes have broadened: ”I didn’t know what to expect because this program covers so much of film. When I first started I wanted to hone in on my camera and editing skills, but we also get a lot of classes here on directing, lighting and grip and all those other aspects of filmmaking. They’re all interconnected so I’m really happy I got to do some of those classes as well as focusing on my documentary filmmaking.”

What’s next for Janalee? “I wouldn’t mind trying to work on a bigger set while working on my own projects, and this school helped me utilize these different skill sets. I like the fact that I’m in such an intensive course and that it’s a small class (so) it’s more hands on.”

Watch Janalee’s biography film, Unbound, below.

 

Since its launch in 2009, InFocus Film School (formerly Pull Focus Film School) has produced prolific independent filmmakers who have moved into meaningful careers in film both locally and globally. Located in the heart of historic Gastown in a red brick hundred-year old building, InFocus Film School students are next to join a lineage of independent filmmakers such as Jim Jarmusch and Orson Welles – Hollywood successful, yet independent.

Graduate Fiona Rayher for instance, went on to write and direct Fractured Land, a $500,000.00 documentary feature that created a broadcast bidding war during a Hot Docs Pitch Forum. Founder Steve Rosenberg wants to keep this momentum going. With a recent expansion, new program streams in development, and a brand new website, the school is set to become Western Canada’s premier hub for film and visual media excellence.

Rosenberg was encouraged to open the school by his own experience as a young director at the Canadian Film Centre, founded by iconic film maker Norman Jewison. The prestigious school accepts a limited number of students per intake, and Rosenberg was one of only five students to be mentored that year.

“What an amazing experience there. It was so great to be around people of that magnitude,” says Rosenberg. The Sundance Institute in Utah is another source of inspiration. InFocus also strives to nourish the artistic side of filmmaking, while launching students’ careers in the film industry.

InFocus Film School students learn to write, edit and produce their own films, and are ready to work in any role on set in the plethora of big budget movies being made in Hollywood North.

Students who come to InFocus Film School are looking for something different, and that is exactly what InFocus is striving for: to maintain its dedication to independent film and provide excellence in education.

“Nothing builds skills like going from theoretical to practical. Many of our teachers are working in the film business – the most rewarding thing for them is to take that knowledge and pass it on to students and support them to make a movie come to life,” says Rosenberg.

Offering an internship program with their media and industry partners, InFocus Film School instructors are committed to helping grads with their future goals, whether that is making their own feature film or getting their foot in the industry door.

“Many schools run as profit centers, a factory assembled model. But ours is a red brick building where graduates are job ready with four or five films already under their belt,” says Rosenberg.

The school straddles both worlds of artistic vision and hands-on skill building such as screenwriting, editing, and of course, operating a camera.

The next intake of the Foundation Film Program begins May 3, 2016. Email info@infocusfilmschool.com to learn more.

“When I was about ten or eleven I started fooling around with my dad’s camcorder, making a lot of videos and if there was a programme I could have done after I finished school I would have done it.”

Rider Laskin’s love and interest in film started at a young age in Langley, but it wasn’t until studying History in college that his interest become a solid possibility. “I took some film courses in college and I’ve always watched a lot of movies. And I’ve always been interested in making movies and so when I [graduated] I started looking around for different programmes and [InFocus] fit my criteria.” Rider’s passion and desire to become a filmmaker is evident – he always knew filmmaking was his calling, and is eager to learn about every aspect of the filmmaking process.

So what is the biggest challenge he’s faced while studying the dream he always wanted to pursue? “I knew it was difficult to make a movie but being here and thinking about movies all day and speaking with the professionals, has reinforced the idea of how difficult it is. It’s such an expensive art form and requires so many resources…it’s daunting.”

If he feels daunted or intimidated about the entire process of filmmaking, it has not stymied his creativity. Rider’s favourite project that he’s worked on so far is “Waiting Room,” a short film he wrote and directed himself: “the experience of making that movie, and [dealing with] all the stress that came with it was invaluable. InFocus has given me a practical skill set which I can use to put my creative energy into; it was very cool to take something that was an inkling of an idea, and eventually turn it into a finished product.”

Check out Rider’s bio project below:

 

 

“Film is what brought me to Vancouver and then I got distracted by many other things in life that eventually brought me back to film again – so its like a big circle!”

Renee’s “many other things” include traveling in Australia where she discovered scuba diving and a love for the ocean. A self-described mermaid, when Renee returned to Vancouver after traveling in Australia, she managed a dive shop on Granville Island for two years.

Her primary goal coming to InFocus was to create documentary films that inform people of the danger and consequences of mistreating the ocean and the environment. But through her studies with InFocus, her methods have evolved.

As Renee puts it, writing her short film PlastyQuaderBottle “really opened my eyes…I could do something with the message of environmentalism, that I’d like to convey in documentaries, [by] writing it into a fictional story…I never even considered that I could do fiction or drama while still conveying the meaningful messages I wanted to.”

Renee’s enthusiasm for film hasn’t diminished since her arrival to study in Vancouver. But now her filmmaking has a purpose and a message that must be shared – and InFocus is giving her the skills to do that. “I feel now, with the tools I’ve learned [at InFocus], I can make documentaries that carry a message that is important to me…while at the same time, I can apply the creative techniques I’ve also learned, using lighting and camera movement, to meld typical documentary methods with something beautiful and cinematic.”

Check out Renee’s bio project below:

 

Let’s say you’ve just graduated film school. You’ve managed to convince investors (AKA your parents) to give you $5000 to start your career. What equipment should you buy for your film kit?

Camera

There is really no right answer in this category, it all depends on what you’ll be shooting and your personal preference. Don’t spend thousands of dollars on a camera unless you’re sure it will pay for itself. While REDs and other high-end cameras may be alluring, going the DSLR route is definitely a much better choice for beginners.

Good Choices:
  • Panasonic AF100A: $2000
  • Panasonic GH4: $1700
  • Canon 7Dii: $1500
  • Canon 70D: $1000
  • Olympus E-M5 II: $1000

Lenses

If you know what to look for and are comfortable going second hand, this is the area to do it, but don’t cheap out! Your glass is honestly more important than the camera behind it. The focal lengths you choose will depend on the sensor size of your camera, but I would recommend getting a couple good zooms and 24mm and 50mm equivalent primes.

Tripod

A good set of sticks with a fluid head is another essential for any filmmaker. Manfrotto is the standard but can get quite pricey so shop around. Pay attention to the load capacity and make sure you’re not going to exceed it. The Manfrotto 190X3 is great if you have a DSLR, but put a video camera on it and you’ll quickly pass the 8 lb. limit. Expect to pay $300-$500 for a decent set of legs. I also keep a cheap photo tripod for use in sand, mud and other environments that might be damaging.

Audio Equipment

You’ll need at least a shotgun mic for shooting with a DSLR, but a couple of lavalieres are a good investment as well. If you’ll be doing dramatic shooting you’ll probably need wireless lavs, but for interviews I love my Sony ECM-77s. The good thing with mics is that if you treat them right, they’ll last forever, so don’t be afraid to spend a little bit of money here. Don’t forget to budget for a recorder and some cables as well.

Accessories

Lighting, shoulder rigs, extra batteries, data storage… you could easily spend your entire budget again on accessories and specialized equipment. Ask yourself what you’ll be shooting the most and prioritizemy_collections-0012-WEB your shopping list based on that. Will you be doing a lot of corporate work? Then you’ll probably want a good lighting kit. Dramatic projects? Maybe you can get away with homemade lighting and some C-stands and a field monitor are a better choice. Get what you need before getting what you want.

Dylan’s Kit:

Here’s what I would buy. As most of my experience is with Canon, that’s what I’m sticking with. I do more doc projects than drama, so I kept that in mind, and built a kit that works for corporate jobs as well.

Keep in mind there are always rebates and other deals that you can find. With those I might be able to knock another couple hundred off my final price.

Camera and Lenses
  • Canon 7Dii w/ kit lens: $1800
  • Canon 18-135 3.5-5.6: Included
  • Canon 24-70 2.8 (Used): $1000
  • Canon 50 1.8 (Used): $80
  • Canon 28 1.8 (Used): $350
Tripod
  • Manfrotto 190X3: $300
Audio
  • Røde NTG2 Shotgun Kit: $250
  •  Shock Mount: Included
  •  1.5’ XLR: Included
  • Sony ECM-77 Lav: $280
  • Zoom H4N: $200
  • 20’ XLR: $15
Extras
  • Lowel Pro-Visions Light Kit: $450
  • Extra LP-E6 Battery: $35
  • 32GB SD Card (x2): $60
  • Pelican 1510 Hard Case: $165

Total cost: $4985

Go shoot some films and make your parents investors proud!

Filmmaking can be expensive. So how does a filmmaker straight out of school afford all the fancy gear that they’ve been taught to use? One option for handy filmmakers is to make it themselves. There are plenty of DIY projects out there on the web, here are a few that we’ve highlighted, either because they’re super easy, ridiculously cheap, or amazingly handy.

The Itsy Bitsy Slider

A few tools, a camera plate, and a free sample kit from Igus are all you need to make this mini slider. Great for small, subtle movements, it proves size isn’t always everything. Plus, if you have a spare camera plate it’s completely free! Get the Igus “Mini Sample Kit” here.

The RotoRig

Not the easiest build, but at under $50 this jib/shoulder rig is definitely worth the effort. Be sure to check out the description in the Youtube video to get the full list of supplies.

The KrotoCrane

$50 too much for you? How about $20? This Jib made by Chad Bredahl of Krotoflik, the same mind behind the RotoRig, is a stupid cheap, super effective crane.

The Dual Shoulder Mount

If you’re like me, you’ll find most shoulder rigs to be ridiculously overpriced. Clocking in at only $25, that can’t be said for this handy tool from Film Riot.

While the director may be the big fish on set, to be an assistant director you need to be a shark.

Assistant-Director2A film set models its hierarchy after the military, and as the highest “below the line” role, the 1st AD is like the commander. Starting in pre-production they break down the script and plan and schedule the shoot.

Once the film goes to picture, the AD runs the set. Acting as a communications hub they ensure the shoot remains organised, safe, and on time. Responsible for the smooth execution of the production, being an AD is easily one of the most stressful jobs on set, but if you can handle it, it can be extremely rewarding.

Interested in the role? Here are six tips for succeeding as an AD:

  1. Don’t slack off in pre-production. Prep is the most vital aspect of having your shoot run smoothly. Did you plan enough time for lunch? If you have a company move, did you account for traffic? Be prepared to spend as much time planning the schedule as you will spend on set.
  2. Communicate. Speak loudly and clearly and listen closely to what others are telling you. Be sure everyone knows what is happening, ask questions if there is uncertainty, and don’t be scared to be the bad guy if someone isn’t doing their job.
  3. Be organized and well prepared. Always think several steps ahead. Have extra copies of the script, call sheets, and any other important documents available.
  4. Be confident but not cocky. Be firm with your orders and confident in your decisions, but always listen to advice and criticism. Arrogance is the fastest way to get your crew to lose respect for you.
  5. Respect your crew. Don’t talk down to anyone, put a stop to any gossip, and most important, don’t micro-manage. Your crew members are (hopefully) professionals hired to do a job. Let them do it.
  6. Have a sense of humour. Film sets are stressful environments and it’s your job to keep the crew from getting overwhelmed. Humour is a great tool to lift spirits and keep the set productive.

Thanks to InFocus’ assistant directing instructor Rosalee Yagihara for her help with this article. 

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Compositing techniques have been around since the beginning of the film era. Starting in 1898 with Georges Méliès’ matte photography, image compositing processes were a technically challenging aspect of filmmaking for nearly a century. Thanks to the rise of digital post production however, today blue or green screen compositing is a very easy and effective way to put actors in situations that would be too difficult, expensive or dangerous to do otherwise. Nearly every Hollywood feature now uses the technique, and whether you love or hate the rise of digital special effects, it is here to stay.

Even beginning filmmakers can take advantage of green screens with almost any mid-range editing software. Check out the video below for 10 tips on how to improve your green screen shoot.

 

Rise of the Planet of the Apes was partly filmed in Vancouver

 

Super, Natural British Columbia. As a filming destination, we could easily lose the comma in our provincial slogan. As the unofficial ‘Hollywood North’, Vancouver draws in a huge number of sci-fi and fantasy productions, and has hosted everything from major blockbusters and prolific television series, to cult classics with rabid fanbases.

There are several major productions slated to shoot here in the upcoming year, including Star Trek 3, Tron 3 and the newest addition to the Marvel Cinematic Universe, Deadpool.

Here are five reasons why Vancouver is the absolute perfect location to shoot sci-fi and fantasy:

 

 

1. ONE STOP VFX SHOPPING 

 

An increasing number of productions that shoot here are opting to work with local VFX production houses to fulfill all their lens-flared-space-battle needs. Lucasfilm’s Industrial Light and Magic even opened up a permanent 30,000-square foot studio downtown last spring.

 

Here are some of the notable studios, and the locally shot productions they worked on. Keep in mind some of their credits overlap as production companies spread bigger design jobs to multiple companies.

 

Artifex Studios has provided visual effects for several series that were shot here, including Continuum (Showcase), Almost Human (Fox) and Red Riding Hood (Warner Bros).

 

Zoic Studios is the production house responsible for developing the special effects for Battlestar Galactica (Syfy) as well as Arrow (The CW) and Once Upon A Time (ABC).

 

The Embassy Visual Effects received an Academy Award nomination on their work on District 9 (Tristar Pictures) and have continued to work with director Neill Blomkamp as he moved his productions to Vancouver, and developed the visual effects of the weapons in Elysium (TriStar Pictures).

 

Image Engine has an incredible reel of past feature work, including acting as the main VFX team behind Elysium (TriStar Pictures), Watchmen (Warner Bros) and X-Men Origins: Wolverine (20th Century Fox).

 

 

2. LOCATION, LOCATION, LOCATION 

 

Vancouver is widely known for its rain soaked old-growth forests, but it’s just as easy to find rocky beaches, snowy mountains and, if you drive out a little further to the east, sandy deserts. The incredible visual diversity of our city is one reason that crews have been flocking here to film projects, ever since The X-Files proved that it could double for pretty much any location in the United States.

 

The range of climate zones in British Columbia is so extensive that it has been an indispensable resource to television shows that need to cheat locations from around the world, or for any production company that doesn’t have the budget to shoot in several different countries.

 

 

3. CITY OF GLASS 

 

Vancouver is one of the youngest cities in North America, and the futuristic architecture rising out of our downtown core is positively built for a sci-fi setting. It isn’t difficult to imagine a prospective director standing on a corner in Coal Harbour and feverishly quoting JJ Abram’s Super 8: “Production value!”

 

It doesn’t hurt that only a few blocks away the cobblestoned streets of Gastown can easily be transformed into a charming heritage scene, or the deserted remnants of a post-apocalyptic future (and it has!).

 

 

4. MILD CLIMATE 

 

For year round shooting, Vancouver can’t be beat. Warm summers, mild winters – and if you’re shooting a sci-fi or fantasy project the constant rain will just add to the mood of your production.

 

 

5. TRIED AND TRUE

 

Vancouver has been home to dozens of fantastic projects, and continues to be the ideal shooting location for creative and ambitious production teams.

 

Here are just a few of the television series and films that have used Vancouver as a location:

 

FILMS:

Tron: Legacy, The Cabin in the Woods, I, Robot, Fantastic Four, Watchmen, The NeverEnding Story, The Twilight Saga, Rise of Planet of the Apes, X Men: The Last Stand, Elysium, Man of Steel, Godzilla

 

TV SERIES:

Supernatural, The X-Files, Battlestar Galactica, Fringe, Once Upon A Time, Arrow, Eureka, Smallville, The Vampire Diaries, Continuum, The Stargate Series, Dark Angel, Caprica, Taken, Dead Like Me, Highlander, The Flash, The Outer Limits, The 100.