HOW TO BECOME A GRAPHIC AND DIGITAL DESIGNER

Want to become a graphic and digital designer? Here are some tips to help you get started! 

By Rachel Kim 

Graphic and digital design built the world we live in today. From the movie posters and advertising you see on the streets, to the cartons of milk you pick up at the grocery store, to the very structure of the social media platforms you scroll through in bed. Every day, you interact with something shaped by the mind and hands of a graphic designer.  

It’s no wonder that the demand for graphic and digital designers is so high. InFocus’ lead Graphic Design instructor Jaime Sandoval can’t keep up with the amount of work and offers that come in.

“I’m always saying ‘no, no, no,’ because there’s so much work. So, so, so much work.” 

Conan O'Brien no gif

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The Ultimate Guide to Arnold Rendering

FOLLOW OUR IN-DEPTH ARNOLD RENDERING TUTORIAL STEP BY STEP.

The Ultimate Guide to Arnold Rendering

Written by Miguel Rodriguez

 

3D animation has evolved the landscape of visual media forever. It gives us the opportunity to experience landscapes, structures and beings beyond our wildest imagination. Contemporary cinema uses 3D animation and visual effects in various ways, ranging from heavy-duty to so subtle you cannot even notice it. 

That being said, every monster, alien spacecraft and most building demolitions seen on film, television and video games are made with 3D graphics. All graphics must turn into images that can be edited, seen and shown. In order to achieve that, we rely on a process called rendering.

 

Learn more about InFocus Film School's 3D Animation and Visual Effects Program

Click here to learn more about InFocus Film School’s 3D Animation and Visual Effects Program

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How to Use Camera Lenses in Film

AN IN-DEPTH ANALYSIS OF THE ARTISTIC APPROACH TO USING CAMERA LENSES AS A FILMMAKER.

How to Use Camera Lenses in Film

By Piper Courtenay 

If cinematography is the art of storytelling in film, then lenses are the tools. Lenses can affect the way a story is told. For budding filmmakers, understanding how to choose the right lens is imperative to building a relationship with the audience.  

For John Pozer, senior film production instructor and curriculum advisor at InFocus Film School, cinematography pivots around creating a flow between images. He asserts both camera placement and lens choices are paramount to that seamless consistency.  

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“The creative producer is inherently a filmmaker who also wants to write and direct,” Paulsson says. “They wear many hats but truly have an interest in telling and finding great stories through the language of film.”

By Ryan Uytdewilligen

 

For most movie goers, when the credits roll, the producer names are unrecognizable and their overall duty on the picture isn’t quite clear. But their involvement must be integrally important seeing as how they tend to be Hollywood’s richest and take home top prize at the Oscars, right?

 

The stereotypical image for many might be a tightly wound fat man in a suit, chomping down on a cigar and barking orders at frightened malnourished writers. But nothing could be further from the truth.

 

InFocus Film School Film Program

Click here to learn more about InFocus Film School’s Writing for Film and Television Program!

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