With networks like Comedy Central, HBO and truTV now picking up webseries as full length shows, the race to produce marketable content is on. Here are four tv shows that got their start online:
Drunk History On August 6th, 2007 Mark Gagliardi drank a bottle of Scotch…and then discussed a famous historical event.
True to its name, the premise of Drunk History is based on an inebriated narrator attempting to retell an historic event in American history, with dramatic recreations shot to illustrate the story. The webseries was launched by Funny or Die in 2007 and featured an impressive rotating cast of comedic talent.
In 2010 the episode titled Drunk History: Douglass & Lincoln, starring Will Ferrell and Don Cheadle, screened at the Sundance Film Festival and took home the award for Best American Short.
Will Ferrell and Adam McKay came onto the series as executive producers, and Comedy Central picked it up for a series, which premiered in 2013. The show is currently in its third season.
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Cinematography in indie filmmaking is a constant negotiation between financial reality and creative vision. With that in mind, should indie cinematographers consider Super 16mm more seriously? There are some sound arguments for it.
Financially, film may not be as expensive of a choice as most would think. Arri CSC still rents out Arri 416 and Arri SR3 packages to students, and indie filmmakers. Rental houses will often work to make packages that are appropriate for their budget and the project. If you opt for Arri SR2, the option becomes even cheaper.
In the Vancouver area, for example, Cineworks offers SR2 packages for $400 a week. With the trend moving towards digital, the cost of rentals for film cameras is expected to go down even further.
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Nearly fifty years ago George Romero changed the landscape of the indie horror films forever with his debut feature Night of the Living Dead. This tradition has continued as emerging directors have used horror to launch their careers, consistently breathing new life into the genre—from Sam Raimi’s The Evil Dead (1980) to Tobe Hooper’s The Texas Chain Saw Massacre (1974).
This generation introduces a new wave of indie horror films that play with cultural influences, horror clichés and self-awareness within their work. Here are ten indie horror films that are redefining fear.
The Babadook (2014) Director: Jennifer Kent Writer: Jennifer Kent Budget: $2 million Summary: The Babadook is about a troubled young boy and his mother, who find themselves tormented by a nightmarish creature that appears in their home via a mysterious pop-up children’s book. Following the film’s release, William Friedkin, the legendary director of The Exorcist, announced: “I’ve never seen a more terrifying film.”
Tucker and Dale vs. Evil (2010)
Director: Eli Craig Writer: Eli Craig, Morgan Jurgenson
Budget: $2 million
Summary: Tucker and Dale vs. Evil is an incredibly entertaining twist of perspective, following two hapless rednecks that are mistaken for backwoods killers by a group of preppy college kids. This film is a romp in ‘meta-horror’ territory, slashing its way through tropes and emerging covered in blood and gore and a whole lot of heart.
Director: Patrick Brice Writer: Patrick Brice, Mark Duplass Budget: Unknown
Summary: Creep is unlike anything you’ve seen before: a mumblecore found footage endeavour that treads the water between comedy and psychological horror. Director/writer Patrick Brice plays a naive videographer who answers a cryptic online ad, and begins documenting the charming and increasingly unhinged Mark Duplass, who produced and co-wrote the film. This film truly a testament to what two people can do with talent, a camera and a rubber wolf mask.
The Orphanage (2007)
Director: J.A. Bayona Writer: Sergio G. Sánchez Budget: $4 million
Summary: If you prefer your horror films to come with a pedigree, rest assured that The Orphanage not only opened at the Cannes Film Festival, but also received a ten-minute standing ovation from the audience. The film centers on a woman who moves her family into the orphanage that she grew up in, her hopes to reopen it abruptly halted when her son goes missing under mysterious circumstances.
Dog Soldiers (2002)
Director: Neil Marshall Writer: Neil Marshall Budget: $2 million
Summary: Before director Neil Marshall released his critically acclaimed feature The Decent (2005), he first tested the waters of horror with Dog Soldiers, a film that wholeheartedly celebrates the low-budget comedy-horror genre. In the Scottish Highlands a group of soldiers is forced to barricade themselves in a farmhouse and fight off a wave of bloodthirsty werewolves.
Summary: A disarmingly funny genre-twisting film that opens with a man’s aggressive attempt to help detox his meth-addicted best friend, and switches gear when a mysterious entity begins targeting them. Exploring a barrage of classic horror-film clichés, Resolution is a breath of fresh air for those who feel they have thoroughly OD’d on the genre.
Lake Mungo (2008) Director: Joel Anderson Writer: Joel Anderson Budget: $1 million
Summary: Presented as a faux-documentary about the death and secretive live of a sixteen year old girl, Lake Mungo feels like something you might stumble across while watching late night television, blurring the line between reality and nightmare. This is a gem of a horror film that blends the complexity of grief, memory and the afterlife.
A Girl Walks Home Alone at Night (2014) Director: Ana Lily Amirpour Writer: Ana Lily Amirpour Budget: $1 million Summary: The critically acclaimed A Girl Walks Home Alone at Night is a stylish cross-cultural black-and-white feast for the eyes that can be summed up by its tagline, ‘The first Iranian Vampire Western’. The result is a film that was clearly made with excitement, passion and a true love of the cinema.
Honeymoon (2014) Director: Leigh Janiak Writer: Phil Graziadei, Leigh Janiak Budget: $1 Million USD Summary: A newlywed couple finds their brief marital bliss shattered when the bride begins sleepwalking and acting increasingly erratic. This film plays on the very relatable anxiety that goes along with intimacy and commitment, taking it to a chilling extreme.
The Loved Ones (2009) Director: Sean Byrne Writer: Sean Byrne Budget: $4 million Summary: A future cult classic, The Loved Ones feels like an absolutely horrific mashup of Carrie (1976) and Misery (1990). When a socially awkward young woman is turned down for a date to the prom by the high school heartthrob, she and her father take things into their own hands to give her the night that she so desperately desires.
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