Cinematographer Roger Deakins is more than a technician behind the camera. He is a poetic voice in the world of cinema. His ability to shape light, shadow, and space into emotionally rich storytelling has changed the way we look at film. From Skyfall to Blade Runner 2049, 1917 to The Assassination of Jesse James by the Coward Robert Ford, his work does not simply capture scenes. It captures the soul of a story. As a long-time admirer of his films, I can say without hesitation that Deakins’ cinematography has inspired the way I watch, understand, and even feel movies. Here are ten essential techniques used by cinematographer Roger Deakins that continue to define his genius and influence filmmakers everywhere.
Interested in becoming a Cinematographer? Check out our Cinematography Program and request more information today! [Click here]
1. Naturalistic Lighting in the Films of Cinematographer Roger Deakins
No Country for Old Men (2007)
What sets cinematographer Roger Deakins apart, first and foremost, is his devotion to natural light. He has a profound respect for realism and the emotional honesty that comes with it. Rather than dominating a scene with artificial lighting, Deakins allows the natural environment to do much of the work. Watching No Country for Old Men, I remember being struck by how raw and grounded everything felt, as if we were truly standing under the same dim bulbs or basking in the same harsh Texan sunlight.
In The Assassination of Jesse James by the Coward Robert Ford, his use of early morning light and flickering candle flames pulls us into the era in a way no costume ever could. Deakins once said that he does not want the lighting to be noticeable. It feels as if it simply belongs there, and it always does. His lighting does not impose meaning. It reveals it.
2. Minimalist Composition: The Silent Power of Simplicity
Prisoners (2013)
Cinematographer Roger Deakins understands the emotional strength of simplicity. His compositions are often stripped of excess, leaving only what is essential to the scene. There is a quiet bravery in this approach. I think of Prisoners, where vast negative space surrounds Hugh Jackman’s character, amplifying his despair and isolation. Or 1917, where a lone soldier runs across a battlefield, framed against a pale, empty sky.
The emptiness speaks volumes. These frames do not shout. They whisper. For Deakins, the image is never busier than the emotion it is meant to convey. This philosophy results in visuals that linger in your memory long after the credits roll.
3. Shadows and Silhouettes: Painting with Darkness
Skyfall (2012)
One of the most emotionally stirring tools in the arsenal of cinematographer Roger Deakins is his use of shadow. He does not light everything to be seen. He lights what must be felt. In Skyfall, there is a moment where James Bond fights a killer in front of glowing neon signage. Their figures are just silhouettes, locked in an elegant yet deadly dance. I remember watching it in the theatre, breathless. The scene was more than just beautiful. It was mythic.
Similarly, in Blade Runner 2049, hazy shadows create a dystopia that feels both alien and intimate. Deakins uses darkness not as a void but as a canvas, sculpting emotion through what he chooses not to show. His shadows evoke more than any spotlight ever could.
4. Framing with Architecture: The Visual Language of Barriers
The Shawshank Redemption (1994)
Cinematographer Roger Deakins often frames his characters within structures like windows, hallways, and doorways, not just for beauty but for meaning. These internal frames mirror emotional and psychological barriers. In The Shawshank Redemption, prisoners are often visually boxed in, surrounded by the very architecture that defines their reality. It is not just incarceration of the body, but of the spirit.
In 1917, the trenches act like claustrophobic corridors that trap characters in a war they cannot escape. I love how Deakins lets the world around his subjects speak to their inner lives. His shots feel composed with empathy. You are not just seeing a place. You are understanding what it means to be in that place, at that moment in the story.
5. Controlled Camera Movement: Grace in Motion
Sicario (2015)
Watching a film by cinematographer Roger Deakins, one of the first things I always notice is how calm the camera feels. His movement is never frantic, never there just for show. It follows emotion, not spectacle. In Sicario, for example, the camera glides through the desert like a predator. Slow, deliberate, patient. The tension becomes unbearable not because of flashy angles, but because the camera refuses to look away.
And then there is 1917, where the illusion of a single continuous shot is used not to impress, but to immerse. That film did not just move. It breathed. Deakins’ camera movements are full of grace, giving the audience the sensation of floating through the world rather than being shoved through it. It is a deeply respectful way to invite us into a story.
6. The Invisible Shot: Cinematographer Roger Deakins’ Signature Restraint
Fargo (1996)
If there is one thing that defines the brilliance of cinematographer Roger Deakins, it is his belief that cinematography should never call attention to itself. His work is so precise, so naturally embedded in the story, that you almost do not notice it until after the fact. And that is the point.
In Fargo, the wide snowy landscapes and silent framing draw you into the absurd mundanity of the world, not through gimmicks, but through sheer clarity. Deakins’ so-called invisible shots are like emotional mirrors. They do not show off, they reflect and feel like how you remember moments in real life, colored by feeling rather than flourish. His ability to step back, to resist over-stylizing, makes the impact of his imagery all the more powerful.
7. Color as Storytelling: Emotion Through Palette
Blade Runner 2049 (2017)
The color palettes chosen by cinematographer Roger Deakins are never accidental. He chooses every hue with purpose and poetry. In Blade Runner 2049, the burnt-orange haze of Las Vegas burns into your memory, contrasting with the cold blues of the city and creating a stark visual divide between destruction and artificial control.
In O Brother, Where Art Thou?, the digitally manipulated sepia tone gives the film a dreamy, otherworldly nostalgia. That was one of the first times digital color grading was used so extensively, and it worked because it felt like an extension of the story’s mythology. Deakins treats color not just as visual flair but as an emotional current running through each frame. His colors do not just look good. They make you feel.
8. Layered Atmosphere: The Texture of a Memory
The Assassination of Jesse James by the Coward Robert Ford (2007)
Something I have always loved about cinematographer Roger Deakins is how he creates atmosphere that you can practically reach out and touch. Smoke, fog, dust, and haze are elements he uses not just for depth but for emotional texture. In The Assassination of Jesse James by the Coward Robert Ford, the landscapes often feel like they are dissolving into memory, with diffused light softening the edges of reality. It feels intimate, nostalgic, almost mournful.
In True Grit, dust and fog give the West a lived-in authenticity, turning the environment into a character of its own. The air in Deakins’ films seems thick with the weight of story, history, and silence. It is a reminder that film is not just about what you see. It is about what you feel lingering in the background.
9. Emotional Realism: Cinematography That Feels Human
Revolutionary Road (2008)
Above all else, cinematographer Roger Deakins strives to capture the emotional truth of a scene. He does not manipulate or dramatize just for impact. Instead, he listens to the heartbeat of the story and lets that guide his choices. In Revolutionary Road, the framing is subdued and precise, reflecting the claustrophobic emotional distance between the characters.
In The Reader, soft lighting and quiet movement echo the film’s themes of guilt and longing. Deakins often places the camera at eye level, treating characters with dignity and inviting us to share in their inner lives. It is this sensitivity, this emotional realism, that makes his work resonate so deeply. You do not just watch his scenes. You experience them.
10. Story-Led Innovation: Pushing Boundaries with Purpose
1917 (2019)
Cinematographer Roger Deakins is not afraid of innovation, but he never pursues it for its own sake. Every creative risk he takes is rooted in storytelling. Take 1917 again. The one-shot illusion required enormous technical coordination, but it was never about the gimmick. It was about immersing us in the soldiers’ journey and making every step, every second, feel real.
Or consider his pioneering use of digital color grading in O Brother, Where Art Thou?, which helped shape the look of an entire era. Deakins proves that technology should follow emotion, not the other way around. He reminds us that the most cutting-edge tools are only powerful when guided by a clear, heartfelt vision.
Final Thoughts on Cinematographer Roger Deakins’ Legacy
Cinematographer Roger Deakins continues to inspire filmmakers, critics, and movie lovers with his subtle mastery of the form. His work speaks in quiet tones yet leaves an echo that lasts for years. The techniques he uses—whether it is his commitment to realism, his mastery of shadow, or his emotionally grounded style—offer lessons for anyone seeking to tell visual stories with heart and honesty. Watching his films is like receiving a masterclass in cinematography, not just technically, but emotionally. If you are a filmmaker, study his work. If you are a film lover, savor it. And if you are both, like me, then you know that few artists have shaped the visual language of cinema quite like Roger Deakins.
Lights, Camera, Learn! InFocus Film School Launches New Cinematography Course
We’re thrilled to announce the launch of our brand new Cinematography Course at InFocus Film School—designed specifically for those who are ready to turn their passion for visual storytelling into a career behind the camera.
This is more than just a course. It’s a hands-on, industry-focused journey that will train you to become a master of light, camera, and composition in just three months.
Why Study Cinematography?
Great cinematography is what transforms a good story into a powerful, visual experience. Whether you’re dreaming of shooting feature films, television, commercials, or music videos, a solid foundation in cinematography is essential—and that’s exactly what this program delivers.
Our cinematography program is built from the ground up to mimic the real-world experiences of working Directors of Photography and other members of the Camera and Lighting Departments. You’ll be learning with professional cinema cameras, lighting gear, and industry workflows right from day one.
Read more: Roger Deakins: 10 Cinematography Techniques That Define His Visual Mastery
What Makes Our Cinematography Course Unique?
This isn’t a theory-heavy program. It’s an immersive, production-based experience led by professional cinematographers.
Here’s what you’ll get:
Hands-On Training – You’ll grow from using basic entry-level cameras to industry standard professional equipment week after week.
Lighting Mastery – Learn how to shape light with precision and style to create mood, depth, and emotion in every frame.
Visual Storytelling Techniques – Understand how to tell a story through camera movement, shot composition, and lighting.
Set Experience – Collaborate with directing and production students to gain real on-set experience, just like a working DOP.
Career Preparation – Develop a killer portfolio and reel that showcases your unique visual style and technical ability.
Learn in the Heart of Vancouver’s Film Industry
Based in Vancouver, one of the largest film hubs in North America, InFocus Film School offers access to a thriving industry, top-tier instructors, and countless networking opportunities. Our cinematography program connects you directly with the film community through guest lectures, workshops, and on-set experience.
Whether you’re just getting started or looking to specialize, this program can help you launch your career fast, with the skills and confidence to walk onto a professional set and deliver.
Ready to Get Behind the Camera?
If you’re passionate about creating unforgettable visuals and want to train in a fast-paced, collaborative environment, the InFocus Cinematography Program is your next step. The program will launch in early 2026. Join the waitlist now.
Lights. Camera. Your future.
Learn more and join the wait list today. [Click here]
Cinematographer Roger Deakins: 10 Cinematography Techniques That Define His Visual Mastery
Cinematographer Roger Deakins is more than a technician behind the camera. He is a poetic voice in the world of cinema. His ability to shape light, shadow, and space into emotionally rich storytelling has changed the way we look at film. From Skyfall to Blade Runner 2049, 1917 to The Assassination of Jesse James by the Coward Robert Ford, his work does not simply capture scenes. It captures the soul of a story. As a long-time admirer of his films, I can say without hesitation that Deakins’ cinematography has inspired the way I watch, understand, and even feel movies. Here are ten essential techniques used by cinematographer Roger Deakins that continue to define his genius and influence filmmakers everywhere.
Interested in becoming a Cinematographer? Check out our Cinematography Program and request more information today! [Click here]
1. Naturalistic Lighting in the Films of Cinematographer Roger Deakins
No Country for Old Men (2007)
What sets cinematographer Roger Deakins apart, first and foremost, is his devotion to natural light. He has a profound respect for realism and the emotional honesty that comes with it. Rather than dominating a scene with artificial lighting, Deakins allows the natural environment to do much of the work. Watching No Country for Old Men, I remember being struck by how raw and grounded everything felt, as if we were truly standing under the same dim bulbs or basking in the same harsh Texan sunlight.
In The Assassination of Jesse James by the Coward Robert Ford, his use of early morning light and flickering candle flames pulls us into the era in a way no costume ever could. Deakins once said that he does not want the lighting to be noticeable. It feels as if it simply belongs there, and it always does. His lighting does not impose meaning. It reveals it.
2. Minimalist Composition: The Silent Power of Simplicity
Prisoners (2013)
Cinematographer Roger Deakins understands the emotional strength of simplicity. His compositions are often stripped of excess, leaving only what is essential to the scene. There is a quiet bravery in this approach. I think of Prisoners, where vast negative space surrounds Hugh Jackman’s character, amplifying his despair and isolation. Or 1917, where a lone soldier runs across a battlefield, framed against a pale, empty sky.
The emptiness speaks volumes. These frames do not shout. They whisper. For Deakins, the image is never busier than the emotion it is meant to convey. This philosophy results in visuals that linger in your memory long after the credits roll.
3. Shadows and Silhouettes: Painting with Darkness
Skyfall (2012)
One of the most emotionally stirring tools in the arsenal of cinematographer Roger Deakins is his use of shadow. He does not light everything to be seen. He lights what must be felt. In Skyfall, there is a moment where James Bond fights a killer in front of glowing neon signage. Their figures are just silhouettes, locked in an elegant yet deadly dance. I remember watching it in the theatre, breathless. The scene was more than just beautiful. It was mythic.
Similarly, in Blade Runner 2049, hazy shadows create a dystopia that feels both alien and intimate. Deakins uses darkness not as a void but as a canvas, sculpting emotion through what he chooses not to show. His shadows evoke more than any spotlight ever could.
4. Framing with Architecture: The Visual Language of Barriers
The Shawshank Redemption (1994)
Cinematographer Roger Deakins often frames his characters within structures like windows, hallways, and doorways, not just for beauty but for meaning. These internal frames mirror emotional and psychological barriers. In The Shawshank Redemption, prisoners are often visually boxed in, surrounded by the very architecture that defines their reality. It is not just incarceration of the body, but of the spirit.
In 1917, the trenches act like claustrophobic corridors that trap characters in a war they cannot escape. I love how Deakins lets the world around his subjects speak to their inner lives. His shots feel composed with empathy. You are not just seeing a place. You are understanding what it means to be in that place, at that moment in the story.
5. Controlled Camera Movement: Grace in Motion
Sicario (2015)
Watching a film by cinematographer Roger Deakins, one of the first things I always notice is how calm the camera feels. His movement is never frantic, never there just for show. It follows emotion, not spectacle. In Sicario, for example, the camera glides through the desert like a predator. Slow, deliberate, patient. The tension becomes unbearable not because of flashy angles, but because the camera refuses to look away.
And then there is 1917, where the illusion of a single continuous shot is used not to impress, but to immerse. That film did not just move. It breathed. Deakins’ camera movements are full of grace, giving the audience the sensation of floating through the world rather than being shoved through it. It is a deeply respectful way to invite us into a story.
6. The Invisible Shot: Cinematographer Roger Deakins’ Signature Restraint
Fargo (1996)
If there is one thing that defines the brilliance of cinematographer Roger Deakins, it is his belief that cinematography should never call attention to itself. His work is so precise, so naturally embedded in the story, that you almost do not notice it until after the fact. And that is the point.
In Fargo, the wide snowy landscapes and silent framing draw you into the absurd mundanity of the world, not through gimmicks, but through sheer clarity. Deakins’ so-called invisible shots are like emotional mirrors. They do not show off, they reflect and feel like how you remember moments in real life, colored by feeling rather than flourish. His ability to step back, to resist over-stylizing, makes the impact of his imagery all the more powerful.
7. Color as Storytelling: Emotion Through Palette
Blade Runner 2049 (2017)
The color palettes chosen by cinematographer Roger Deakins are never accidental. He chooses every hue with purpose and poetry. In Blade Runner 2049, the burnt-orange haze of Las Vegas burns into your memory, contrasting with the cold blues of the city and creating a stark visual divide between destruction and artificial control.
In O Brother, Where Art Thou?, the digitally manipulated sepia tone gives the film a dreamy, otherworldly nostalgia. That was one of the first times digital color grading was used so extensively, and it worked because it felt like an extension of the story’s mythology. Deakins treats color not just as visual flair but as an emotional current running through each frame. His colors do not just look good. They make you feel.
8. Layered Atmosphere: The Texture of a Memory
The Assassination of Jesse James by the Coward Robert Ford (2007)
Something I have always loved about cinematographer Roger Deakins is how he creates atmosphere that you can practically reach out and touch. Smoke, fog, dust, and haze are elements he uses not just for depth but for emotional texture. In The Assassination of Jesse James by the Coward Robert Ford, the landscapes often feel like they are dissolving into memory, with diffused light softening the edges of reality. It feels intimate, nostalgic, almost mournful.
In True Grit, dust and fog give the West a lived-in authenticity, turning the environment into a character of its own. The air in Deakins’ films seems thick with the weight of story, history, and silence. It is a reminder that film is not just about what you see. It is about what you feel lingering in the background.
9. Emotional Realism: Cinematography That Feels Human
Revolutionary Road (2008)
Above all else, cinematographer Roger Deakins strives to capture the emotional truth of a scene. He does not manipulate or dramatize just for impact. Instead, he listens to the heartbeat of the story and lets that guide his choices. In Revolutionary Road, the framing is subdued and precise, reflecting the claustrophobic emotional distance between the characters.
In The Reader, soft lighting and quiet movement echo the film’s themes of guilt and longing. Deakins often places the camera at eye level, treating characters with dignity and inviting us to share in their inner lives. It is this sensitivity, this emotional realism, that makes his work resonate so deeply. You do not just watch his scenes. You experience them.
10. Story-Led Innovation: Pushing Boundaries with Purpose
1917 (2019)
Cinematographer Roger Deakins is not afraid of innovation, but he never pursues it for its own sake. Every creative risk he takes is rooted in storytelling. Take 1917 again. The one-shot illusion required enormous technical coordination, but it was never about the gimmick. It was about immersing us in the soldiers’ journey and making every step, every second, feel real.
Or consider his pioneering use of digital color grading in O Brother, Where Art Thou?, which helped shape the look of an entire era. Deakins proves that technology should follow emotion, not the other way around. He reminds us that the most cutting-edge tools are only powerful when guided by a clear, heartfelt vision.
Final Thoughts on Cinematographer Roger Deakins’ Legacy
Cinematographer Roger Deakins continues to inspire filmmakers, critics, and movie lovers with his subtle mastery of the form. His work speaks in quiet tones yet leaves an echo that lasts for years. The techniques he uses—whether it is his commitment to realism, his mastery of shadow, or his emotionally grounded style—offer lessons for anyone seeking to tell visual stories with heart and honesty. Watching his films is like receiving a masterclass in cinematography, not just technically, but emotionally. If you are a filmmaker, study his work. If you are a film lover, savor it. And if you are both, like me, then you know that few artists have shaped the visual language of cinema quite like Roger Deakins.
Top 5 Screenwriting Software for Aspiring Film + TV Writers (Free + Paid)
Are you looking for the best screenwriting software to bring your screenplay ideas to life? Breaking into screenwriting doesn’t have to come with a hefty price tag. Whether you’re an aspiring writer or an experienced filmmaker looking for budget-friendly options, several free screenwriting software programs can help you craft your next screenplay. In this guide, we’ll explore the top five free screenwriting tools, highlighting their features, ease of use, and whether they cater to beginners or industry professionals.
FINAL DRAFT
The Industry Standard Screenwriting Software
Final Draft is the industry-standard screenwriting software used by professionals in Hollywood and beyond. While it does not offer a permanently free version, it provides a free trial that allows users to explore its advanced features. Final Draft includes industry-standard formatting, revision tracking, collaboration tools, and script breakdown features. Many major studios and production companies require screenplays to be formatted using Final Draft, making it essential for anyone pursuing a professional career in screenwriting.
Click here to learn more about InFocus Film School’s Writing for Film and Television Program!
CELTX
A Versatile Screenwriting Software
Celtx is one of the most well-known screenwriting tools available. The free version provides basic screenwriting features, including script formatting, auto-complete functions, and collaboration tools. However, to access more advanced features such as storyboarding, production scheduling, and budgeting tools, users must upgrade to a paid plan. The software is particularly useful for filmmakers who want an all-in-one pre-production suite in addition to scriptwriting.
WRITERDUET
Best Screenwriting Software for Collaboration
WriterDuet is another cloud-based screenwriting software that allows real-time collaboration, making it perfect for writing teams. The free version lets users write up to three scripts, while the paid version unlocks unlimited scripts and additional formatting tools. One of its standout features is version history, allowing writers to track changes and revert to previous drafts if necessary. The software also integrates seamlessly with Final Draft, making it a useful tool for writers who may eventually transition to the industry-standard software.
FADE IN
A Professional Screenwriting Software Alternative
Fade In is a professional-grade screenwriting software that offers a free trial version with limited features. The full version, which includes industry-standard tools like revision tracking, formatting customization, and built-in collaboration tools, requires a one-time purchase. Unlike Final Draft, which uses a proprietary file format, Fade In allows for seamless export to multiple formats, including PDF and Final Draft (.fdx) files. This makes it a highly versatile option for writers who want flexibility in how they share and edit their scripts.
ARC STUDIO
A Modern Screenwriting Software
Arc Studio is a relatively new but powerful screenwriting software with an emphasis on a clean interface and cloud-based collaboration. The free version provides essential screenwriting features, while the pro version includes automatic formatting, revision history, and PDF exports. Arc Studio is designed to minimize distractions, making it an excellent choice for writers who want a sleek, modern, and intuitive workspace. It also features a unique outlining tool, helping writers structure their scripts before diving into the actual writing process.
TRELBY
A Simple Screenwriting Software
*Honorable Mention
Trelby is an open-source screenwriting software available for Windows and Linux users. It provides a clean and distraction-free writing environment with automatic formatting. While it lacks cloud-based collaboration and mobile support, its offline functionality makes it a solid choice for solo writers. Trelby is especially useful for writers who want a lightweight, no-cost solution without worrying about subscriptions or trial limitations.
Which Screenwriting Software Should You Choose?
If you’re serious about screenwriting but aren’t ready to invest in paid software, these free options provide plenty of tools to get started. Each of these screenwriting software programs offers unique features to help you streamline your creative process. Experiment with them and find the one that best suits your workflow. Happy writing!
Chenneth Weeraratne Catches Fire at Sundar Prize Film Festival
InFocus Film School Film Production graduate Chenneth Weeraratne’s passion for film has propelled him into an exciting and successful career, where he has already made significant strides in the industry. One of his most notable achievements is ‘Female and Furious,’ a coming-of-age comedy drama about Rager Rip, “a heated skater who must come to terms with her anger issues in order to join the infamous Storm’s skate gang.” The film has been officially selected as part of the Sundar Prize Film Festival, set to screen in Surrey, BC, on April 11.
“I was drawn to this project when I was approached by Ritisha Jhamb, one of my fellow producers who got me onto it,” Chenneth shares. “Women working in film is something of great importance. A story like this, backed by a predominantly women-led producer team, speaks volumes! Therefore, I was more than happy to provide my support for a project that was both fun and, nevertheless, important!”
Clip of ‘Female and Furious’
Catching Fire in the Indie Film Scene
Beyond ‘Female and Furious’ being screened at Sundar Prize Film Festival, Chenneth co-founded Bonfire Productions alongside Jaida Sanada, Ryan Kwan, and Jonathan Liu.
“After spending many long nights and shoots together in the past year, a thought came to me that maybe we should set a foundation in film that we would have some control over as creatives,” he explains. “Alongside this, my friends and I had been on a camping trip recently. It was when we had spent the night together around a campfire that we came up with ‘Bonfire.’ The meaning behind it lies in our friendship and the passion, empathy, and hard work that we put into all of our projects.”
While ‘Female and Furious’ isn’t a Bonfire project, the company has already produced films like ‘Tucker’s Puppets’ and is currently working on ‘Jinsei No Toki’ and ‘Panorama.’
The Impact of InFocus Film School
Reflecting on his time at InFocus, Chenneth recalls starting as a complete beginner, unsure of the intricacies of filmmaking.
“I had grown up perpetually interested in film and not knowing how it worked. I was a complete beginner when I started my year at the school. However, upon completion of my diploma, I left with so much valuable experience and practice that even years later I have been able to apply with much success! Whether it be knowing how to run a set or deal with issues that arise, I have much of those skills to thank InFocus for!”
One of the greatest lessons Chenneth took from InFocus was the importance of empathy in filmmaking.
“You can be great at something technical or know how to do something the ‘correct’ way, but if you don’t treat people with understanding and the willingness to learn, you’ll soon find out why filmmaking requires a team effort. They don’t say ‘it takes a village’ for nothing!”
Moving Forward with Confidence
Today, Chenneth continues to thrive, taking on leadership roles within the filmmaking community, including serving as VP of Productions for UBC’s IndieVision film collective. “IndieVision acts as a platform for people to connect in film and learn about new opportunities, access workshops, panels, and other film events. It has allowed people such as myself to find projects to take on and be a part of a welcoming and thriving film community!”
His advice to aspiring filmmakers? “Believe in what it is you want. I spent many years doubting myself within a film context until I was able to surround myself with people that uplifted me. However, at the end of the day, it took me recognizing that I was responsible for what I achieved that brought me to where I am today!”
InFocus Film School alumnus Shanthini Balasubramanian’s film Velvet Secrets is also screening as part of Sundar Prize Film Festival!
Read more about our Film Production Program.
Film Lighting: The Key to Emotion-Driven Storytelling
Film lighting is one of the most critical elements of cinematic storytelling. It shapes the mood, directs the audience’s attention, and enhances the emotional impact of each scene. Achieving the perfect lighting requires teamwork, expertise, and specialized equipment. While often unnoticed by viewers, lighting and grip gear play an essential role in defining a film’s visual style. The many trucks filled with lighting and grip equipment on a film set highlight the complexity and precision involved in achieving the right look.
Film Lighting and Grip Gear: Essential Tools for Cinematic Excellence
Film lighting determines the visual presentation of a story. It establishes atmosphere, creates depth, and highlights key moments. Due to the complexity of lighting setups require a significant amount of gear. The camera and lighting department fill trucks with various lights, diffusers, flags, and gels—each serving a specific function. Soft lighting provides a smooth, flattering glow, while hard lighting creates dramatic shadows. Color gels and filters alter the hue of light, enhancing the scene’s emotional tone.
Grip gear supports lighting setups and ensures stability and precision. This includes stands, rigging, dollies, and cranes that help control light placement and camera movement. Tools like “bounces” reflect light onto a subject, while “flags” block or shape light to achieve the desired effect. The seamless coordination of lighting and grip gear allows filmmakers to craft visually compelling scenes.
The Importance of Film Lighting and Grip Jobs
Lighting professionals are essential to any film production. The lighting crew, led by the gaffer (chief lighting technician), collaborates with the cinematographer to achieve the director’s visual vision. The gaffer is responsible for adjusting brightness, color temperature, and light placement. Meanwhile, the grip team, led by the key grip, manages the equipment that supports lighting setups, such as platforms, rigging, and camera stabilization tools. Both teams work closely to ensure optimal lighting while maintaining on-set safety.
These roles require technical expertise and creative problem-solving. Even a minor adjustment to lighting can drastically change a scene’s look and feel. Hours of meticulous work go into refining each shot to achieve the perfect visual composition.
A Professional Film Set
A film set involves a wide range of professionals, from camera operators and production designers to sound engineers and directors. Depending on the scale of the production, a feature film may employ anywhere from 50 to over 200 crew members. The lighting and grip teams play a crucial role in ensuring each scene is well-lit, visually striking, and aligned with the film’s artistic vision.
The BC Film Industry: A Hub for Talent and Innovation
British Columbia has established itself as a major center for filmmaking, offering diverse landscapes, skilled crews, and state-of-the-art production facilities. Vancouver, often referred to as “Hollywood North” and attracts major film and television productions due to its robust industry infrastructure. The BC film industry is known for high-quality productions, providing cutting-edge film lighting and grip equipment to meet the demands of top-tier projects. With a strong support system for both local and international filmmakers, BC continues to be a leader in cinematic innovation.
Conclusion
Film lighting and grip teams are vital to the success of any film, ensuring each scene is both visually stunning and narratively effective. Their technical expertise and artistry bring cinematic visions to life. With its advanced resources and skilled professionals, the BC film industry remains a top destination for filmmakers seeking excellence in film lighting and production.
Learn more about InFocus Film School’s Film Production Program
How to Become a Video Game Playtester (and Get Paid to Play Games!)
Do you dream of getting paid to play video games? Becoming a game playtester might be the perfect gig for you. Imagine sitting back, controller in hand, racking up hours in the latest unreleased game… for cash! Sounds pretty sweet, right? Well, it is… but it’s also a real job that requires attention to detail, patience, and a solid understanding of game mechanics.
In Vancouver, home to major game studios like Electronic Arts (EA), Ubisoft, and The Coalition, companies actively hire playtesters to help refine their games before launch.
In fact, InFocus Film School’s Game Design Program students gain hands-on experience developing, testing, and refining their own games. We host a video game playtest called “Indie Arcade”. We invite both the public and industry professionals to test-drive our students’ games. This gives students real-world experience in receiving and implementing valuable feedback, just like in the industry
So, how do you land a job testing video games for a living? Let’s break it down.
What Does a Game Playtester Do?
A game playtester’s job is to find and report bugs, analyze gameplay balance, and provide feedback on user experience. You are the first line of defense against frustrating glitches, broken mechanics, and game-breaking exploits. While it’s fun, it’s also a meticulous process that involves repeating tasks, writing detailed reports, and sometimes intentionally trying to “break” a game.
How to Become a Game Playtester
1. Get Good at Playing (and Critiquing) Games
Loving video games is a great start, but you also need to think critically. Start by playing games with an analytical mindset—observe how mechanics work, where levels flow smoothly (or don’t), and how the UI affects gameplay.
2. Gain Experience Through Beta Testing
Many game companies release beta versions of their games before launch. This allows players to test them and provide feedback. Participating in these beta tests can give you hands-on experience and help you understand what developers look for in playtest feedback.
3. Look for Playtesting Jobs in Vancouver
Companies like Electronic Arts (EA), Relic Entertainment, and Next Level Games frequently hire playtesters. These positions are listed as “QA Tester,” “Game Tester,” or “Usability Tester.” Keep an eye on job boards, studio websites, and even social media for openings.
4. Develop a Background in Game Development
While some game playtesting jobs don’t require formal training, having a background in game design, programming, or quality assurance can set you apart from the competition. Studios value playtesters who understand game mechanics and provide insightful feedback beyond “this is fun” or “this is broken.”
5. Join a Game Design Program to Boost Your Skills
If you want to take your playtesting career to the next level—or even move beyond playtesting into game development—consider studying game design. At InFocus Film School’s Game Design Program, students gain hands-on experience developing, testing, and refining their own games. Plus, we host video game playtests where students showcase their projects and receive real-world feedback, just like in the industry.
Final Thoughts: Playtesting as a Career Path
Being a game playtester isn’t just about playing video games all day. It’s about analyzing, reporting, and improving the gaming experience. It’s also a great stepping stone into the gaming industry. Many professional game developers, designers, and QA specialists started their careers as playtesters before moving on to bigger roles.
So, if you’re passionate about video games and want to turn that passion into a career, why not start by learning the ins and outs of game development? View InFocus Film School’s Game Design Program and start your journey into the gaming industry!
Read More:
InFocus Film School Game Design Program
5 Reasons Why You Should Work in Game Design
Anora (2024) Review: Sean Baker’s Oscar-Nominated Drama Is a Must-Watch
Anora, the Oscar-nominated film for Best Picture, is an unforgettable cinematic experience. This captivating drama, helmed by the brilliant Sean Baker—acclaimed indie director of Tangerine and The Florida Project—takes audiences on a wild, emotional journey. Baker has an extraordinary ability to craft characters who feel so real and raw that they linger in your mind long after the credits roll, and Anora is no exception.
Anora Review
At the heart of the film is Anora, played by Mikey Madison, who delivers a mesmerizing performance as a savvy exotic dancer adored by her male clients. Anora—nicknamed Annie in English—is a Brooklyn native raised by a grandmother who spoke to her only in Russian. This cultural background makes her the perfect choice to entertain the wealthy, reckless son of a powerful Russian oligarch. It’s a jackpot opportunity, and when a green card relationship develops, jealousy among the other dancers quickly follows. From euphoric highs to gut-wrenching heartbreak, Madison commands every scene with intensity, drawing viewers into her character’s world of self-discovery, vulnerability, and the struggle for independence.
Her performance inevitably invites comparisons to Pretty Woman, the role that catapulted Julia Roberts to stardom. Yet, Madison’s portrayal is far more complex and nuanced, capturing both the gritty reality and the flickering hope of her character’s journey. Unlike the fairy-tale depictions of romance often seen in Hollywood, Anora delivers an unfiltered look at love, ambition, and survival. Madison never falls into the trap of playing a one-dimensional character; instead, she presents a multifaceted woman whose resilience and fragility make her both relatable and awe-inspiring.
The film’s gripping pace never falters, keeping audiences hooked from start to finish. As the plot twists and turns, there’s an ever-present sense of impending doom—when will the dream shatter? Baker, ever the master storyteller, steers clear of sentimental clichés. Instead, he delivers a conclusion that feels both realistic and poignant, offering just enough tenderness to provide hope without indulging in false comfort.
The supporting cast adds depth and authenticity, with Mark Eidelstein playing a perpetually high party boy and Yuriy Borison delivering a standout performance as a big-hearted thug. Their roles complement Madison’s stellar lead, making Anora a film that doesn’t just entertain—it challenges, moves, and lingers long after the screen fades to black. The film’s success at Cannes, where it won the top prize, and the praise from industry icons like Isabelle Huppert only solidify its place as one of the year’s must-see films.
While Anora isn’t an outright comedy—there are few traditional jokes—I found myself smiling more often than expected. Now, I’m rooting for an Oscar upset in one of the major categories.
If you missed it at a festival, Anora is now streaming on Amazon Prime. Don’t miss out on this unforgettable film.
If you want to learn how to make independent films like ‘Anora’, check out InFocus Film School’s Film Production Program or Writing for Film and Television Program
Blockbuster Movies Filmed in Vancouver
Often referred to as “Hollywood North”, blockbuster movies are consistently filmed in Vancouver, British Columbia. With its stunning landscapes, urban versatility, and proximity to Los Angeles, it’s no surprise that filmmakers flock to this Canadian city. The film industry has also provided a major boost to Vancouver’s economy, creating thousands of jobs for local crew members, actors, and film school graduates. In fact, productions like these generate employment for more than 35,000 workers annually in the Vancouver region, solidifying its reputation as a top filming hub.
Deadpool & Wolverine (2024)
Deadpool is one of the most popular movies filmed in Vancouver. The wise-cracking hero played by Ryan Reynolds explores the cities streets and iconic locations alongside X-Men anti-hero Wolverine. From explosive action sequences on busy downtown streets to quieter character moments filmed in Vancouver’s parks, the production showcased the city’s versatility. Local crew members were heavily involved in creating the film’s signature blend of humor and spectacle.
Sonic the Hedgehog 2 (2022)
The sequel to the hit Sonic movie brought Vancouver’s urban and suburban areas to life. From action-packed chase sequences to comedic moments, the city’s diverse locations added depth to the beloved franchise. The filmmakers utilized local landmarks and lesser-known spots to create a visually dynamic backdrop. The production also supported local businesses, with many catering companies, transportation services, and extras involved in bringing the movie to completion.
The Adam Project (2022)
This Netflix sci-fi adventure starring Ryan Reynolds and Mark Ruffalo was filmed across various Vancouver locations. The city’s scenic beauty and modern infrastructure helped create the film’s futuristic and emotional atmosphere. From high-tech labs to serene outdoor settings, Vancouver’s range of locations was critical in shaping the movie’s visual appeal. The film also employed hundreds of crew members, highlighting Vancouver’s skilled workforce.
Thor: Love and Thunder (2022)
While primarily set in space and fictional realms, parts of this Marvel blockbuster were filmed in Vancouver. The city’s studio spaces and natural settings provided essential backdrops for key scenes. Vancouver’s ability to offer both advanced production facilities and picturesque outdoor locations made it an ideal choice for the film. The project brought significant investment into the local economy and created numerous job opportunities for residents.
Jurassic World Dominion (2022)
The final installment in the Jurassic World trilogy utilized Vancouver’s forests and urban landscapes to depict a world where dinosaurs and humans coexist. The stunning scenery enhanced the film’s epic scale. Iconic locations were transformed into post-apocalyptic landscapes, showcasing the city’s adaptability for high-concept storytelling. The production also provided employment to local VFX artists who contributed to the film’s groundbreaking special effects.
Peter Pan & Wendy (2023)
This Disney live-action reimagining of the classic tale filmed extensively in Vancouver’s forests and parks. The lush greenery created a magical Neverland setting. The movie’s production engaged local artists and technicians to craft intricate costumes and props, reflecting the story’s whimsical nature. Additionally, the film’s on-location shoots brought economic benefits to the surrounding communities.
Prey (2022)
The Predator prequel was filmed in Vancouver’s surrounding wilderness, showcasing breathtaking landscapes that emphasized the film’s survivalist tone and period setting. The rugged terrain and dense forests provided an authentic backdrop for the story’s intense action. The production hired local Indigenous advisors and cast members to ensure cultural authenticity, making it a standout project in the city’s recent filmography.
Secret Invasion (2023)
This Marvel Disney+ series used Vancouver for its intricate espionage and action scenes. The city’s urban locales were key in bringing this thrilling storyline to life. From high-tech interiors to gritty street-level action, Vancouver’s flexibility as a filming location was on full display. The production also provided opportunities for local talent, with many Vancouver-based crew members contributing to the series’ cinematic quality.
Why Vancouver is Hollywood North
Vancouver’s tax incentives, talented local crew, and diverse locations make it a top choice for blockbuster productions. From dense forests and mountain ranges to urban cityscapes, the city can double as virtually any setting imaginable. Its rich cinematic history only continues to grow as major studios choose Vancouver for their biggest projects. In addition to its natural and architectural assets, Vancouver’s thriving film community ensures that productions have access to top-tier talent and resources.
Explore the Filming Locations
If you’re a movie buff, visiting Vancouver means stepping into the worlds of your favorite films. Explore the city’s iconic filming locations and see why it’s a favorite for blockbuster productions. From downtown streets to serene parks, there’s a piece of Hollywood North waiting to be discovered.
Linda St. Pierre Takes Her Film ‘Choices’ From Script to Screen
Linda St. Pierre, a graduate of InFocus Film School’s Writing for Film and Television Program, is a shining example of what determination, talent, and passion can achieve. A proud member of the Dënesłiné First Nation from Lac Brochet, Manitoba, Linda has turned her love for storytelling into a flourishing career in the film and television industry. Her journey from an aspiring writer to a producer of her own work is an inspiring tale of breaking barriers and championing Indigenous narratives. As an Indigenous screenwriter, Linda’s work serves as a powerful voice for her community.
A Unique Background and Drive for Storytelling
Before joining InFocus, Linda had already made strides in the entertainment industry. She attended the Vancouver Film School’s Acting Program, a scholarship opportunity provided by Kevin Smith of the famous Jay & Silent Bob duo. Her experience there solidified her desire to bring Indigenous stories to the forefront of film and television.
“I was so encouraged to go into writing because of my stories, Indigenous identity, and wanting to fight for more Dene stories in film and television,” Linda explains. Her mission is clear: to introduce the Dene language and culture into mainstream media, making it accessible and relatable to wider audiences.
Still from Linda St. Pierre’s film ‘Choices’
Producing “Choices”: A Film Born in the Writing for Film and Television Program
Linda’s short film, Choices, began as a script she developed during her time in the Writing for Film and Television Program. The film explores themes of first love, loss, addiction, and redemption. “It’s my proof-of-concept project that deals with how much addiction can ruin your life and the manipulation it comes with,” she says. Inspired by her own experiences, Linda’s story is both deeply personal and universally resonant.
The journey from script to screen was not without challenges. Linda collaborated with co-writer Jinjara Mitchell to refine the script, following advice from her instructors to create a powerful short film without giving away the entire story. The result is a compelling proof-of-concept that sets the stage for a feature-length production. “We filmed this in the fall of 2023 and completed post-production. Now, we’re getting ready for festival submissions,” she shares enthusiastically.
Support and Growth at InFocus
Linda credits the instructors at InFocus Film School for helping her shape her script and elevate her storytelling. “I had a lot of good feedback, and sometimes it was hard because it’s Indigenous storytelling,” she recalls. One of her instructors, Mary Frymire, became a pivotal mentor. Mary’s appreciation for Indigenous documentary storytelling encouraged Linda to pursue larger projects, including Bẵts’ủnẽ Yìneshą (His Grandmother Raised Him), an animated documentary partnered with CBC.
Through InFocus, Linda was introduced to Alanis Obomsawin, a legendary Indigenous documentary filmmaker. Alanis became a producer mentor for Linda’s documentary, guiding her as she brought her stories to life. This mentorship has been instrumental in Linda’s career, helping her navigate the complexities of production while staying true to her cultural roots.
Transitioning from Writing to Production
Moving into the realm of production was a natural progression for Linda. Grants and a strong production team helped her bring her vision for Choices to life. As the film nears completion, she’s excited to submit it to festivals and share her story with the world.
Linda’s work extends beyond her own projects. She has collaborated with industry heavyweights like Marie Clements Media and Screen Siren Pictures on the feature film and limited series Bones of Crows. These experiences have broadened her horizons and deepened her understanding of the film industry.
Advice for Aspiring Indigenous Screenwriters
For up-and-coming screenwriters, Linda has valuable advice: “Take as many film labs and writing labs as you can. It helps you make connections in the business and fight for your story and voice in your work.”
Since graduating from InFocus, Linda has participated in numerous film labs and worked on high profile projects. She launched her own productions under her banner, Phoenix Skye Productions Inc.
Looking Ahead
As Choices prepares to enter the festival circuit, Linda’s career continues to gain momentum. With multiple projects in development and a clear vision for bringing Indigenous stories to film and television, she is paving the way for future generations. Her journey demonstrates the transformative power of education, mentorship, and unwavering dedication to one’s craft.
Linda St. Pierre’s story is not just about personal success but about creating space for underrepresented voices in the film industry. Through her work, she is ensuring that Indigenous stories are not only told but celebrated.
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