Linda St. Pierre, a graduate of InFocus Film School’s Writing for Film and Television Program, is a shining example of what determination, talent, and passion can achieve. A proud member of the Dënesłiné First Nation from Lac Brochet, Manitoba, Linda has turned her love for storytelling into a flourishing career in the film and television industry. Her journey from an aspiring writer to a producer of her own work is an inspiring tale of breaking barriers and championing Indigenous narratives. As an Indigenous screenwriter, Linda’s work serves as a powerful voice for her community.
A Unique Background and Drive for Storytelling
Before joining InFocus, Linda had already made strides in the entertainment industry. She attended the Vancouver Film School’s Acting Program, a scholarship opportunity provided by Kevin Smith of the famous Jay & Silent Bob duo. Her experience there solidified her desire to bring Indigenous stories to the forefront of film and television.
“I was so encouraged to go into writing because of my stories, Indigenous identity, and wanting to fight for more Dene stories in film and television,” Linda explains. Her mission is clear: to introduce the Dene language and culture into mainstream media, making it accessible and relatable to wider audiences.
Still from Linda St. Pierre’s film ‘Choices’
Producing “Choices”: A Film Born in the Writing for Film and Television Program
Linda’s short film, Choices, began as a script she developed during her time in the Writing for Film and Television Program. The film explores themes of first love, loss, addiction, and redemption. “It’s my proof-of-concept project that deals with how much addiction can ruin your life and the manipulation it comes with,” she says. Inspired by her own experiences, Linda’s story is both deeply personal and universally resonant.
The journey from script to screen was not without challenges. Linda collaborated with co-writer Jinjara Mitchell to refine the script, following advice from her instructors to create a powerful short film without giving away the entire story. The result is a compelling proof-of-concept that sets the stage for a feature-length production. “We filmed this in the fall of 2023 and completed post-production. Now, we’re getting ready for festival submissions,” she shares enthusiastically.
Support and Growth at InFocus
Linda credits the instructors at InFocus Film School for helping her shape her script and elevate her storytelling. “I had a lot of good feedback, and sometimes it was hard because it’s Indigenous storytelling,” she recalls. One of her instructors, Mary Frymire, became a pivotal mentor. Mary’s appreciation for Indigenous documentary storytelling encouraged Linda to pursue larger projects, including Bẵts’ủnẽ Yìneshą (His Grandmother Raised Him), an animated documentary partnered with CBC.
Through InFocus, Linda was introduced to Alanis Obomsawin, a legendary Indigenous documentary filmmaker. Alanis became a producer mentor for Linda’s documentary, guiding her as she brought her stories to life. This mentorship has been instrumental in Linda’s career, helping her navigate the complexities of production while staying true to her cultural roots.
Transitioning from Writing to Production
Moving into the realm of production was a natural progression for Linda. Grants and a strong production team helped her bring her vision for Choices to life. As the film nears completion, she’s excited to submit it to festivals and share her story with the world.
Linda’s work extends beyond her own projects. She has collaborated with industry heavyweights like Marie Clements Media and Screen Siren Pictures on the feature film and limited series Bones of Crows. These experiences have broadened her horizons and deepened her understanding of the film industry.
Advice for Aspiring Indigenous Screenwriters
For up-and-coming screenwriters, Linda has valuable advice: “Take as many film labs and writing labs as you can. It helps you make connections in the business and fight for your story and voice in your work.”
Since graduating from InFocus, Linda has participated in numerous film labs and worked on high profile projects. She launched her own productions under her banner, Phoenix Skye Productions Inc.
Looking Ahead
As Choices prepares to enter the festival circuit, Linda’s career continues to gain momentum. With multiple projects in development and a clear vision for bringing Indigenous stories to film and television, she is paving the way for future generations. Her journey demonstrates the transformative power of education, mentorship, and unwavering dedication to one’s craft.
Linda St. Pierre’s story is not just about personal success but about creating space for underrepresented voices in the film industry. Through her work, she is ensuring that Indigenous stories are not only told but celebrated.
Chenneth Weeratne Catches Fire at Sundar Prize Film Festival
InFocus Film School Film Production graduate Chenneth Weeratne’s passion for film has propelled him into an exciting and successful career, where he has already made significant strides in the industry. One of his most notable achievements is ‘Female and Furious,’ a coming-of-age comedy drama about Rager Rip, “a heated skater who must come to terms with her anger issues in order to join the infamous Storm’s skate gang.” The film has been officially selected as part of the Sundar Prize Film Festival, set to screen in Surrey, BC, on April 11.
“I was drawn to this project when I was approached by Ritisha Jhamb, one of my fellow producers who got me onto it,” Chenneth shares. “Women working in film is something of great importance. A story like this, backed by a predominantly women-led producer team, speaks volumes! Therefore, I was more than happy to provide my support for a project that was both fun and, nevertheless, important!”
Clip of ‘Female and Furious’
Catching Fire in the Indie Film Scene
Beyond ‘Female and Furious’ being screened at Sundar Prize Film Festival, Chenneth co-founded Bonfire Productions alongside Jaida Sanada, Ryan Kwan, and Jonathan Liu.
“After spending many long nights and shoots together in the past year, a thought came to me that maybe we should set a foundation in film that we would have some control over as creatives,” he explains. “Alongside this, my friends and I had been on a camping trip recently. It was when we had spent the night together around a campfire that we came up with ‘Bonfire.’ The meaning behind it lies in our friendship and the passion, empathy, and hard work that we put into all of our projects.”
While ‘Female and Furious’ isn’t a Bonfire project, the company has already produced films like ‘Tucker’s Puppets’ and is currently working on ‘Jinsei No Toki’ and ‘Panorama.’
The Impact of InFocus Film School
Reflecting on his time at InFocus, Chenneth recalls starting as a complete beginner, unsure of the intricacies of filmmaking.
“I had grown up perpetually interested in film and not knowing how it worked. I was a complete beginner when I started my year at the school. However, upon completion of my diploma, I left with so much valuable experience and practice that even years later I have been able to apply with much success! Whether it be knowing how to run a set or deal with issues that arise, I have much of those skills to thank InFocus for!”
One of the greatest lessons Chenneth took from InFocus was the importance of empathy in filmmaking.
“You can be great at something technical or know how to do something the ‘correct’ way, but if you don’t treat people with understanding and the willingness to learn, you’ll soon find out why filmmaking requires a team effort. They don’t say ‘it takes a village’ for nothing!”
Moving Forward with Confidence
Today, Chenneth continues to thrive, taking on leadership roles within the filmmaking community, including serving as VP of Productions for UBC’s IndieVision film collective. “IndieVision acts as a platform for people to connect in film and learn about new opportunities, access workshops, panels, and other film events. It has allowed people such as myself to find projects to take on and be a part of a welcoming and thriving film community!”
His advice to aspiring filmmakers? “Believe in what it is you want. I spent many years doubting myself within a film context until I was able to surround myself with people that uplifted me. However, at the end of the day, it took me recognizing that I was responsible for what I achieved that brought me to where I am today!”
InFocus Film School alumnus Shanthini Balasubramanian’s film Velvet Secrets is also screening as part of Sundar Prize Film Festival!
Read more about our Film Production Program.
Film Lighting: The Key to Emotion-Driven Storytelling
Film lighting is one of the most critical elements of cinematic storytelling. It shapes the mood, directs the audience’s attention, and enhances the emotional impact of each scene. Achieving the perfect lighting requires teamwork, expertise, and specialized equipment. While often unnoticed by viewers, lighting and grip gear play an essential role in defining a film’s visual style. The many trucks filled with lighting and grip equipment on a film set highlight the complexity and precision involved in achieving the right look.
Film Lighting and Grip Gear: Essential Tools for Cinematic Excellence
Film lighting determines the visual presentation of a story. It establishes atmosphere, creates depth, and highlights key moments. Due to the complexity of lighting setups require a significant amount of gear. The camera and lighting department fill trucks with various lights, diffusers, flags, and gels—each serving a specific function. Soft lighting provides a smooth, flattering glow, while hard lighting creates dramatic shadows. Color gels and filters alter the hue of light, enhancing the scene’s emotional tone.
Grip gear supports lighting setups and ensures stability and precision. This includes stands, rigging, dollies, and cranes that help control light placement and camera movement. Tools like “bounces” reflect light onto a subject, while “flags” block or shape light to achieve the desired effect. The seamless coordination of lighting and grip gear allows filmmakers to craft visually compelling scenes.
The Importance of Film Lighting and Grip Jobs
Lighting professionals are essential to any film production. The lighting crew, led by the gaffer (chief lighting technician), collaborates with the cinematographer to achieve the director’s visual vision. The gaffer is responsible for adjusting brightness, color temperature, and light placement. Meanwhile, the grip team, led by the key grip, manages the equipment that supports lighting setups, such as platforms, rigging, and camera stabilization tools. Both teams work closely to ensure optimal lighting while maintaining on-set safety.
These roles require technical expertise and creative problem-solving. Even a minor adjustment to lighting can drastically change a scene’s look and feel. Hours of meticulous work go into refining each shot to achieve the perfect visual composition.
A Professional Film Set
A film set involves a wide range of professionals, from camera operators and production designers to sound engineers and directors. Depending on the scale of the production, a feature film may employ anywhere from 50 to over 200 crew members. The lighting and grip teams play a crucial role in ensuring each scene is well-lit, visually striking, and aligned with the film’s artistic vision.
The BC Film Industry: A Hub for Talent and Innovation
British Columbia has established itself as a major center for filmmaking, offering diverse landscapes, skilled crews, and state-of-the-art production facilities. Vancouver, often referred to as “Hollywood North” and attracts major film and television productions due to its robust industry infrastructure. The BC film industry is known for high-quality productions, providing cutting-edge film lighting and grip equipment to meet the demands of top-tier projects. With a strong support system for both local and international filmmakers, BC continues to be a leader in cinematic innovation.
Conclusion
Film lighting and grip teams are vital to the success of any film, ensuring each scene is both visually stunning and narratively effective. Their technical expertise and artistry bring cinematic visions to life. With its advanced resources and skilled professionals, the BC film industry remains a top destination for filmmakers seeking excellence in film lighting and production.
Learn more about InFocus Film School’s Film Production Program
How to Become a Video Game Playtester (and Get Paid to Play Games!)
Do you dream of getting paid to play video games? Becoming a game playtester might be the perfect gig for you. Imagine sitting back, controller in hand, racking up hours in the latest unreleased game… for cash! Sounds pretty sweet, right? Well, it is… but it’s also a real job that requires attention to detail, patience, and a solid understanding of game mechanics.
In Vancouver, home to major game studios like Electronic Arts (EA), Ubisoft, and The Coalition, companies actively hire playtesters to help refine their games before launch.
In fact, InFocus Film School’s Game Design Program students gain hands-on experience developing, testing, and refining their own games. We host a video game playtest called “Indie Arcade”. We invite both the public and industry professionals to test-drive our students’ games. This gives students real-world experience in receiving and implementing valuable feedback, just like in the industry
So, how do you land a job testing video games for a living? Let’s break it down.
What Does a Game Playtester Do?
A game playtester’s job is to find and report bugs, analyze gameplay balance, and provide feedback on user experience. You are the first line of defense against frustrating glitches, broken mechanics, and game-breaking exploits. While it’s fun, it’s also a meticulous process that involves repeating tasks, writing detailed reports, and sometimes intentionally trying to “break” a game.
How to Become a Game Playtester
1. Get Good at Playing (and Critiquing) Games
Loving video games is a great start, but you also need to think critically. Start by playing games with an analytical mindset—observe how mechanics work, where levels flow smoothly (or don’t), and how the UI affects gameplay.
2. Gain Experience Through Beta Testing
Many game companies release beta versions of their games before launch. This allows players to test them and provide feedback. Participating in these beta tests can give you hands-on experience and help you understand what developers look for in playtest feedback.
3. Look for Playtesting Jobs in Vancouver
Companies like Electronic Arts (EA), Relic Entertainment, and Next Level Games frequently hire playtesters. These positions are listed as “QA Tester,” “Game Tester,” or “Usability Tester.” Keep an eye on job boards, studio websites, and even social media for openings.
4. Develop a Background in Game Development
While some game playtesting jobs don’t require formal training, having a background in game design, programming, or quality assurance can set you apart from the competition. Studios value playtesters who understand game mechanics and provide insightful feedback beyond “this is fun” or “this is broken.”
5. Join a Game Design Program to Boost Your Skills
If you want to take your playtesting career to the next level—or even move beyond playtesting into game development—consider studying game design. At InFocus Film School’s Game Design Program, students gain hands-on experience developing, testing, and refining their own games. Plus, we host video game playtests where students showcase their projects and receive real-world feedback, just like in the industry.
Final Thoughts: Playtesting as a Career Path
Being a game playtester isn’t just about playing video games all day. It’s about analyzing, reporting, and improving the gaming experience. It’s also a great stepping stone into the gaming industry. Many professional game developers, designers, and QA specialists started their careers as playtesters before moving on to bigger roles.
So, if you’re passionate about video games and want to turn that passion into a career, why not start by learning the ins and outs of game development? View InFocus Film School’s Game Design Program and start your journey into the gaming industry!
Read More:
InFocus Film School Game Design Program
5 Reasons Why You Should Work in Game Design
Anora (2024) Review: Sean Baker’s Oscar-Nominated Drama Is a Must-Watch
Anora, the Oscar-nominated film for Best Picture, is an unforgettable cinematic experience. This captivating drama, helmed by the brilliant Sean Baker—acclaimed indie director of Tangerine and The Florida Project—takes audiences on a wild, emotional journey. Baker has an extraordinary ability to craft characters who feel so real and raw that they linger in your mind long after the credits roll, and Anora is no exception.
Anora Review
At the heart of the film is Anora, played by Mikey Madison, who delivers a mesmerizing performance as a savvy exotic dancer adored by her male clients. Anora—nicknamed Annie in English—is a Brooklyn native raised by a grandmother who spoke to her only in Russian. This cultural background makes her the perfect choice to entertain the wealthy, reckless son of a powerful Russian oligarch. It’s a jackpot opportunity, and when a green card relationship develops, jealousy among the other dancers quickly follows. From euphoric highs to gut-wrenching heartbreak, Madison commands every scene with intensity, drawing viewers into her character’s world of self-discovery, vulnerability, and the struggle for independence.
Her performance inevitably invites comparisons to Pretty Woman, the role that catapulted Julia Roberts to stardom. Yet, Madison’s portrayal is far more complex and nuanced, capturing both the gritty reality and the flickering hope of her character’s journey. Unlike the fairy-tale depictions of romance often seen in Hollywood, Anora delivers an unfiltered look at love, ambition, and survival. Madison never falls into the trap of playing a one-dimensional character; instead, she presents a multifaceted woman whose resilience and fragility make her both relatable and awe-inspiring.
The film’s gripping pace never falters, keeping audiences hooked from start to finish. As the plot twists and turns, there’s an ever-present sense of impending doom—when will the dream shatter? Baker, ever the master storyteller, steers clear of sentimental clichés. Instead, he delivers a conclusion that feels both realistic and poignant, offering just enough tenderness to provide hope without indulging in false comfort.
The supporting cast adds depth and authenticity, with Mark Eidelstein playing a perpetually high party boy and Yuriy Borison delivering a standout performance as a big-hearted thug. Their roles complement Madison’s stellar lead, making Anora a film that doesn’t just entertain—it challenges, moves, and lingers long after the screen fades to black. The film’s success at Cannes, where it won the top prize, and the praise from industry icons like Isabelle Huppert only solidify its place as one of the year’s must-see films.
While Anora isn’t an outright comedy—there are few traditional jokes—I found myself smiling more often than expected. Now, I’m rooting for an Oscar upset in one of the major categories.
If you missed it at a festival, Anora is now streaming on Amazon Prime. Don’t miss out on this unforgettable film.
If you want to learn how to make independent films like ‘Anora’, check out InFocus Film School’s Film Production Program or Writing for Film and Television Program
Blockbuster Movies Filmed in Vancouver
Often referred to as “Hollywood North”, blockbuster movies are consistently filmed in Vancouver, British Columbia. With its stunning landscapes, urban versatility, and proximity to Los Angeles, it’s no surprise that filmmakers flock to this Canadian city. The film industry has also provided a major boost to Vancouver’s economy, creating thousands of jobs for local crew members, actors, and film school graduates. In fact, productions like these generate employment for more than 35,000 workers annually in the Vancouver region, solidifying its reputation as a top filming hub.
Deadpool & Wolverine (2024)
Deadpool is one of the most popular movies filmed in Vancouver. The wise-cracking hero played by Ryan Reynolds explores the cities streets and iconic locations alongside X-Men anti-hero Wolverine. From explosive action sequences on busy downtown streets to quieter character moments filmed in Vancouver’s parks, the production showcased the city’s versatility. Local crew members were heavily involved in creating the film’s signature blend of humor and spectacle.
Sonic the Hedgehog 2 (2022)
The sequel to the hit Sonic movie brought Vancouver’s urban and suburban areas to life. From action-packed chase sequences to comedic moments, the city’s diverse locations added depth to the beloved franchise. The filmmakers utilized local landmarks and lesser-known spots to create a visually dynamic backdrop. The production also supported local businesses, with many catering companies, transportation services, and extras involved in bringing the movie to completion.
The Adam Project (2022)
This Netflix sci-fi adventure starring Ryan Reynolds and Mark Ruffalo was filmed across various Vancouver locations. The city’s scenic beauty and modern infrastructure helped create the film’s futuristic and emotional atmosphere. From high-tech labs to serene outdoor settings, Vancouver’s range of locations was critical in shaping the movie’s visual appeal. The film also employed hundreds of crew members, highlighting Vancouver’s skilled workforce.
Thor: Love and Thunder (2022)
While primarily set in space and fictional realms, parts of this Marvel blockbuster were filmed in Vancouver. The city’s studio spaces and natural settings provided essential backdrops for key scenes. Vancouver’s ability to offer both advanced production facilities and picturesque outdoor locations made it an ideal choice for the film. The project brought significant investment into the local economy and created numerous job opportunities for residents.
Jurassic World Dominion (2022)
The final installment in the Jurassic World trilogy utilized Vancouver’s forests and urban landscapes to depict a world where dinosaurs and humans coexist. The stunning scenery enhanced the film’s epic scale. Iconic locations were transformed into post-apocalyptic landscapes, showcasing the city’s adaptability for high-concept storytelling. The production also provided employment to local VFX artists who contributed to the film’s groundbreaking special effects.
Peter Pan & Wendy (2023)
This Disney live-action reimagining of the classic tale filmed extensively in Vancouver’s forests and parks. The lush greenery created a magical Neverland setting. The movie’s production engaged local artists and technicians to craft intricate costumes and props, reflecting the story’s whimsical nature. Additionally, the film’s on-location shoots brought economic benefits to the surrounding communities.
Prey (2022)
The Predator prequel was filmed in Vancouver’s surrounding wilderness, showcasing breathtaking landscapes that emphasized the film’s survivalist tone and period setting. The rugged terrain and dense forests provided an authentic backdrop for the story’s intense action. The production hired local Indigenous advisors and cast members to ensure cultural authenticity, making it a standout project in the city’s recent filmography.
Secret Invasion (2023)
This Marvel Disney+ series used Vancouver for its intricate espionage and action scenes. The city’s urban locales were key in bringing this thrilling storyline to life. From high-tech interiors to gritty street-level action, Vancouver’s flexibility as a filming location was on full display. The production also provided opportunities for local talent, with many Vancouver-based crew members contributing to the series’ cinematic quality.
Why Vancouver is Hollywood North
Vancouver’s tax incentives, talented local crew, and diverse locations make it a top choice for blockbuster productions. From dense forests and mountain ranges to urban cityscapes, the city can double as virtually any setting imaginable. Its rich cinematic history only continues to grow as major studios choose Vancouver for their biggest projects. In addition to its natural and architectural assets, Vancouver’s thriving film community ensures that productions have access to top-tier talent and resources.
Explore the Filming Locations
If you’re a movie buff, visiting Vancouver means stepping into the worlds of your favorite films. Explore the city’s iconic filming locations and see why it’s a favorite for blockbuster productions. From downtown streets to serene parks, there’s a piece of Hollywood North waiting to be discovered.
Linda St. Pierre Takes Her Film ‘Choices’ From Script to Screen
Linda St. Pierre, a graduate of InFocus Film School’s Writing for Film and Television Program, is a shining example of what determination, talent, and passion can achieve. A proud member of the Dënesłiné First Nation from Lac Brochet, Manitoba, Linda has turned her love for storytelling into a flourishing career in the film and television industry. Her journey from an aspiring writer to a producer of her own work is an inspiring tale of breaking barriers and championing Indigenous narratives. As an Indigenous screenwriter, Linda’s work serves as a powerful voice for her community.
A Unique Background and Drive for Storytelling
Before joining InFocus, Linda had already made strides in the entertainment industry. She attended the Vancouver Film School’s Acting Program, a scholarship opportunity provided by Kevin Smith of the famous Jay & Silent Bob duo. Her experience there solidified her desire to bring Indigenous stories to the forefront of film and television.
“I was so encouraged to go into writing because of my stories, Indigenous identity, and wanting to fight for more Dene stories in film and television,” Linda explains. Her mission is clear: to introduce the Dene language and culture into mainstream media, making it accessible and relatable to wider audiences.
Still from Linda St. Pierre’s film ‘Choices’
Producing “Choices”: A Film Born in the Writing for Film and Television Program
Linda’s short film, Choices, began as a script she developed during her time in the Writing for Film and Television Program. The film explores themes of first love, loss, addiction, and redemption. “It’s my proof-of-concept project that deals with how much addiction can ruin your life and the manipulation it comes with,” she says. Inspired by her own experiences, Linda’s story is both deeply personal and universally resonant.
The journey from script to screen was not without challenges. Linda collaborated with co-writer Jinjara Mitchell to refine the script, following advice from her instructors to create a powerful short film without giving away the entire story. The result is a compelling proof-of-concept that sets the stage for a feature-length production. “We filmed this in the fall of 2023 and completed post-production. Now, we’re getting ready for festival submissions,” she shares enthusiastically.
Support and Growth at InFocus
Linda credits the instructors at InFocus Film School for helping her shape her script and elevate her storytelling. “I had a lot of good feedback, and sometimes it was hard because it’s Indigenous storytelling,” she recalls. One of her instructors, Mary Frymire, became a pivotal mentor. Mary’s appreciation for Indigenous documentary storytelling encouraged Linda to pursue larger projects, including Bẵts’ủnẽ Yìneshą (His Grandmother Raised Him), an animated documentary partnered with CBC.
Through InFocus, Linda was introduced to Alanis Obomsawin, a legendary Indigenous documentary filmmaker. Alanis became a producer mentor for Linda’s documentary, guiding her as she brought her stories to life. This mentorship has been instrumental in Linda’s career, helping her navigate the complexities of production while staying true to her cultural roots.
Transitioning from Writing to Production
Moving into the realm of production was a natural progression for Linda. Grants and a strong production team helped her bring her vision for Choices to life. As the film nears completion, she’s excited to submit it to festivals and share her story with the world.
Linda’s work extends beyond her own projects. She has collaborated with industry heavyweights like Marie Clements Media and Screen Siren Pictures on the feature film and limited series Bones of Crows. These experiences have broadened her horizons and deepened her understanding of the film industry.
Advice for Aspiring Indigenous Screenwriters
For up-and-coming screenwriters, Linda has valuable advice: “Take as many film labs and writing labs as you can. It helps you make connections in the business and fight for your story and voice in your work.”
Since graduating from InFocus, Linda has participated in numerous film labs and worked on high profile projects. She launched her own productions under her banner, Phoenix Skye Productions Inc.
Looking Ahead
As Choices prepares to enter the festival circuit, Linda’s career continues to gain momentum. With multiple projects in development and a clear vision for bringing Indigenous stories to film and television, she is paving the way for future generations. Her journey demonstrates the transformative power of education, mentorship, and unwavering dedication to one’s craft.
Linda St. Pierre’s story is not just about personal success but about creating space for underrepresented voices in the film industry. Through her work, she is ensuring that Indigenous stories are not only told but celebrated.
How to Be a Movie Director: A Step-by-Step Guide
Enrique Martinez Piña: How Film School in Canada Helped Launch His Career in Mexico
When Enrique Martinez Piña decided to study at InFocus Film School in Canada, he opened the door to new opportunities in Mexico’s competitive film and television industry. By completing both the Writing for Film and Television Program and the Visual Effects Compositing Program, Enrique gained a unique combination of skills that set him apart as a producer, writer, and post-production expert.
Building a Strong Foundation at a Film School in Canada
InFocus Film School provided Enrique with the tools to grow both creatively and technically. He highlights how the programs helped him merge Canadian and Mexican production methods. “At InFocus, I learned to blend both styles, particularly in screenwriting,” Enrique explains.
Beyond writing, the Visual Effects Compositing Program gave Enrique an edge in postproduction—an essential skill in modern filmmaking. “The VFX course opened doors for new job opportunities here in Mexico,” he adds.
Enrique on set in Mexico!
A Diverse Career in Mexico’s Film and TV Industry
After returning from Canada, Enrique quickly made a name for himself in Mexico’s entertainment industry. Currently, he works as a producer at ADN 40, one of Mexico’s top television channels. He has produced produced cultural programs, political interviews, and documentaries. His portfolio includes the long-running show La Otra Aventura, which focuses on literature and has been on air for 14 years, as well as Políticos en Línea, which covers political interviews, and Tiempo de Cannabis, a show exploring cannabis-related topics. Beyond television, Enrique has contributed to documentaries such as Andar del Peregrino and Ucrania: Destrucción y Resistencia, showcasing his range as both a producer and storyteller.
How Studying Film in Canada Created New Opportunities
In Mexico’s production industry, professionals often take on multiple roles, from writing and directing to producing. Enrique’s education at InFocus Film School gave him a competitive advantage. “Having knowledge of screenwriting, VFX, and postproduction allows me to communicate effectively with specialized teams,” Enrique shares.
Studying at a film school in Canada also helped En0rique stand out. “In Mexico, studying abroad gives you credibility. People assume you’ve learned world-class production methods, like those used in major international films and TV series.”
For aspiring filmmakers considering a film school in Canada, Enrique offers this advice: “Enjoy your time in class. It’s a great opportunity to connect with people from different cultures, learn how they see the world, and let their perspectives inspire your creativity.”
Shanthini Balasubramanian Wins Best First-Time Director at MAMM for Velvet Secrets
Anuruddha Jayasinghe Directs Liberating Debut Feature ‘Dhara’ in Sri Lanka
InFocus Film School Film Production Program graduate Anuruddha Jayasinghe recently completed his debut feature film, Dhara, a story of strength and resilience set in Sri Lanka. After graduating, Jayasinghe returned to his homeland to bring his vision to life. He collaborated with InFocus Cinematography Instructor Chris Joys, who joined as Director of Photography, to help shape the film’s visual storytelling.
About the Film Dhara
Jayasinghe describes Dhara as a profound story of liberation that resonates on both personal and universal levels.
“It’s about defining liberation through individual and collective actions,” he explains, rooted in his memories of the 1987-1989 insurgency in Sri Lanka, a time when conflict touched nearly every aspect of life. His own journey through periods of social unrest, marked by oppression and marginalization, deeply influences the story.
The film unearths two distinct paths to freedom: the revolutionary and the spiritual. “Revolutionary liberation seeks to overthrow oppressive systems, challenging the status quo and envisioning a society free from corruption and injustice,” he explains. “Spiritual liberation aims for enlightenment, transcending suffering and cycles of rebirth.”
This duality is the foundation of Dhara, blending these outer struggles for justice and societal reform with an inner search for personal peace and understanding. The two paths, though distinct, weave together in the narrative, illustrating how liberation can be both an act of defiance and a journey toward inner harmony. In Dhara, the characters must navigate between these worlds, each choice bringing them closer to their own understanding of freedom.
Click here to learn more about InFocus Film School’s Film Production Program!
Learning at InFocus Film School
Jayasinghe credits InFocus Film School with preparing him for Dhara’s production. He highlights lead Film Production Instructor David Michan for teaching him essentials skills in creating shot lists and schematics. This training streamlined his planning and kept the production efficient. Working with cinematography mentor Chris Joys also brought invaluable insights. Joys, whose family roots are in Kerala, India, had a deep understanding of South Asian culture, enriching their creative process.
“Chris’s expertise helped us craft a cohesive vision,” Jayasinghe says. Together, they developed a mood board to harmonize the visual storytelling.
Advice for Aspiring Filmmakers
Jayasinghe encourages future filmmakers to look beyond technical skills.
“Cultivate compassion, empathy, and a deep understanding of literature, global politics, and human behavior,” he says, believing these qualities will bring depth to storytelling and help filmmakers connect with audiences around the world.