Director Stanley Kubrick grew out of the Auteur Theory

by Ryan Uytdewilligen

 

In the history of cinema, the grand legends most cinema buffs point to as their master source for inspiration are auteur filmmakers. From Scorsese to Kubrick, Lynch to Burton, Kurosawa to Mallick, the same names generally pop up over and over again for a reason. They have a pure cinematic identity that radiates through all of their work, whether it’s a repetitive setting or a reoccurring theme.

 

You know when you’re watching a Wes Anderson movie because he has his team of regulars (like Owen Wilson and Bill Murray) on display while his wild pallet of bright colours easily identifies it as a wacky, almost surreal, universe only he could create. Because he’s so good at getting his vision across, people keep coming back for more.

 

That is the sign of the auteur filmmaker: creative control for a personal end product that resonates with the zeitgeist.

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the fifth movie of the Transformers franchise - Transformers 5 The Last KnightBy Henry Kulick

 

The reboot “boom” is headed towards a crash but original scripts aren’t going anywhere anytime soon.

 

As Hollywood sinks its teeth into the early weeks of the 2017 summer box-office barrage, they do so with some apprehension. Insiders in the industry predict that this summer’s ticket sales (bookending around Labor Day) could be the lowest it’s been in a decade.

This shouldn’t come as a surprise to many. Looking back, and then ahead, 2017 is filled with instalments to franchises that have existed for decades. In April, we saw the release of the eighth Fast and the Furious movie, which claimed to be the final title in the series but only time will tell.

With nothing but adaptations and sequels taking center stage and garnering less than years past, it seems that trusted franchises, once capable of driving people to the theatre, may beginning to go a bit stale.

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Assistant Director / Assistant Directors on a film production set

By Johnny Papan

 

If films were the human body, you could deliberate that producers are the brains, writers and directors are the heart, cinematographers are the eyes, sound designers are the ears, and production designers are the lips that tell a story with decoration. These key creatives are the head of the anatomy that is a film crew.

 

But every well-functioning anatomy needs that core piece that connects and communicates with the entire nervous system. When it comes to filmmaking, this piece is the Assistant Director (A.D.), the spine of the production team.

 

“Without a good first A.D., your movie falls to pieces. I feel like you could
probably run a set better with a good first A.D. and no director
than a good director and no A.D.”

Natalie Portman, indiewire.com

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film school students working a camera

If you’ve made the decision to pursue a career in the film industry, you have a lot of interesting years ahead of you. But before you can jump into award-winning positions on set, you need to start with a film school.

Choosing the best film school for you can be a daunting process, but if you can find one that gives you the most experience and education for your dollar and time, then it’s worth the investment in your future as a filmmaker.

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