2016 was a very strong year for science fiction, thriller/horror – and musicals! Never thought I would love three musicals in one year, as they are a rare breed these days, especially exceptional ones. Considering how dark the real life 2016 got, some joyous song-driven relief was a welcome addition to the movie mix.
https://infocusfilmschool.com/wp-content/uploads/2016/12/20170612141911.gif225540InFocus Film Schoolhttps://infocusfilmschool.com/wp-content/uploads/2019/12/InFocus-Film-School-175.pngInFocus Film School2016-12-26 11:02:132021-02-25 13:59:42My 30 Favourite Films of 2016
Cinematography in indie filmmaking is a constant negotiation between financial reality and creative vision. With that in mind, should indie cinematographers consider Super 16mm more seriously? There are some sound arguments for it.
Financially, film may not be as expensive of a choice as most would think. Arri CSC still rents out Arri 416 and Arri SR3 packages to students, and indie filmmakers. Rental houses will often work to make packages that are appropriate for their budget and the project. If you opt for Arri SR2, the option becomes even cheaper.
In the Vancouver area, for example, Cineworks offers SR2 packages for $400 a week. With the trend moving towards digital, the cost of rentals for film cameras is expected to go down even further.
https://infocusfilmschool.com/wp-content/uploads/2016/12/Beasts_of_the_Southern_Wild-InFocus-Film-School-1.jpg6651000InFocus Film Schoolhttps://infocusfilmschool.com/wp-content/uploads/2019/12/InFocus-Film-School-175.pngInFocus Film School2016-12-13 10:46:202021-02-25 14:00:44The Reemergence of Super 16mm: Aesthetics & Practicality
InFocus Film School is located on the traditional, ancestral, and unceded territory of the Coast Salish peoples, the Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations.