film making courses teach students to film anywhere

film making courses teach students to film anywhere

Film students undertake a diverse range of projects

Whether you’re a globally successful director or a highly specialized production crew member, one of the most important attributes you can have as a professional in the film industry is adaptability. Being able to apply your talents to a number of different types of film can help you secure steady work, grow as a professional and continue to thrive creatively as your career progresses.

It’s no coincidence that adaptability is also an attribute many film school graduates possess. Learning the theory of filmmaking, as well as training in technical areas such as cinematography and editing, gives students a solid foundation of knowledge which can be applied to almost any project.

What’s more, practically oriented schools like InFocus give students plenty of chances to develop their skills, with a series of portfolio projects in a number of different formats.

1. Filmmaking College Students Learn the Language of Cinema through Silent Films

The original form of cinema, silent film is one the first projects students undertake, and also one of the most crucial in developing their cinematography skills. By conveying a story without the use of dialogue, filmmaking college students learn the fundamental film principle of “showing not telling” in their work, while gaining a more solid understanding of the visual dynamics of film.

2. Learn Documentary Filmmaking from Acclaimed Instructors

The documentary is one of the most powerful and dynamic forms of filmmaking, and has been used as a tool by respected filmmakers the world over to highlight important societal issues, present pivotal moments in history, and shine a light on unique cultures and personalities.

When learning the art of documentary filmmaking, InFocus students are encouraged to take dramatic risks with their films, infusing their work with their own individual creative style, often with exciting and rewarding results.

For example, check out this recent documentary ‘Mars Barb’ by InFocus student Milena Salazar, which documented the efforts of a local Vancouver woman to be accepted onto the Mars One mission.

And while students in filmmaking courses are given plenty of creative freedom to find their own style, they also pick up tricks from a number of instructors who are experienced documentary makers, such as Julia Ivanova, whose acclaimed film ‘Family Portrait in Black and White’ was named Best Canadian feature at Hot Docs 2011.

3. Cinema Verite: Capture a Piece of Real Life at Filmmaking College

A form of documentary often referred to as ‘fly on the wall,’ cinema verite aims to capture real life in the rawest form possible, eschewing storytelling devices like narration in order to present events as they unfold. A dynamic and unpredictable form of filmmaking that can be done with minimal equipment, the style is often incorporated into other forms of film, including fiction, where elements of the form can be seen in films like ‘The Blair Witch Project’ and ‘mockumentary’ TV shows like The Office.

Check out this example of a Cinema Verite project by student Stan Huang:

4. Test Your Filmmaking Skills with a Music Video

Developing interesting visuals to accompany a song can be a fun explorative process for creative filmmakers, who often incorporate a wide variety of cinematography techniques, genres, and visual sequences into the project. Not only that, but a music video project can form a vital part of your portfolio, showcasing your technical talent, and helping you secure work once you finish your course.

Looking for a filmmaking college in Vancouver?

Visit InFocus Film School for more information!

film production training
film production training

There are many career options for film school graduates

Many passionate movie fans dream of a career in the film and television industry, but never pursue the idea. They tell themselves that it’s too competitive, or too unstable, or that only a select few are able to find steady work. These kinds of doubts are all too common, and lead to thousands of potentially brilliant filmmakers giving up before they’ve even started.

In reality, however, a career in film is far more practical than you think. A typical production employs hundreds of trained professionals for specific, specialized roles in sound, visual, and production crews, each playing an important role in bringing an idea to life.

What’s more, prospective filmmakers based in Vancouver—the third largest film production centre in North America—can expect a steady stream of regular work, with hundreds of productions taking place each year.

If you want to find secure work in a business you love, read on to learn more about the many options available.

1. Picture Your Career as a Camera Operator after Film Production School

Have an eye for interesting and original visuals? A career as a camera operator could be for you. A big-budget production can have more than 50 people in its camera crew, with many entry level roles available, such as camera assistants and camera trainees. Working closely with the director, these highly trained professionals help to create a unique visual style for the film, carefully crafting each individual shot.

Camera operators also need to be familiar with a variety of different shooting styles, making it an ideal role for film production school graduates, who gain experience by working on a variety of different portfolio projects, such as documentaries, music videos, and commercials.

2. Use Your Film Production Training to Make the Cut as an Editor

Being an editor requires a wealth of technical knowledge and excellent attention to detail, as you work to craft all the scenes from a film together to ensure the project comes together seamlessly as a coherent whole.

It’s not an easy task, but your film production training and project work will provide you with extensive practical editing experience, while the small class sizes at schools like InFocus mean that each student gets the individual attention they need from instructors to truly hone their craft.

film production school

Editors help make sure a film comes together as a whole

3. Script Readers: For Film Production Students with a Passion for Storytelling

More interested in the storytelling aspects of film? Don’t worry, there are plenty of roles to suit your talents. For example, script readers are often employed by production companies and public funding bodies to assess screenplays they receive, providing detailed reports and story breakdowns to help determine whether a script is suitable for production.

4. Script Supervisor: The Ideal Role for a Film Production School Graduate?

A unique role that requires both screenwriting and cinematography expertise, script supervisors work with the camera crew to ensure they get all the shots they need to bring a script to life, as well as keeping written and photographic records of individual shots to ensure continuity. Because the role requires comprehensive knowledge of filmmaking theory, film school graduates are often considered ideal candidates for script supervisor positions.

film production courses

Script supervisors help ensure continuity

Interested in finding out about even more great careers for graduates of film production courses?

Contact InFocus Film School for more details!

dannyAward-winning cinematographer Danny Nowak works in unorthodox ways. He is at once a successful independent artist following his dreams, yet is also ready to paint images with his camera for blockbusters like Tristar’s “The Big Hit” or Neil Simon’s “The Goodbye Girl.”

As a child Nowak was enthralled with classic horror movies like Frankenstein and at age thirteen started to make his own shorts on 8mm. Nowak started his career in Vancouver, but has worked on film sets around the world. Here are a few words of wisdom, and some of his thoughts for up and coming filmmakers.

Early Years: Follow your Instinct and Curiosity

“I was about 8 years old when my fascination with movies began. I was obsessed with Frankenstein and other classic horror films and started making my own shorts in 8mm when I was thirteen years old. Soon after, I saw ‘The Tenant’, directed by Roman Polanski, which opened my mind to the dramatic possibilities of visual storytelling. I think the best course I ever took was the History of Movies, where I was exposed to milestones of film from the past and from there I developed a love for international cinema.”

Respecting the Past, Collaboration and Building Mood

“The art of cinematography really is to me the total culmination of centuries of the very best of visual arts. You know that Michelangelo and Goya would have been cinematographers.”

Collaboration and Looking Through the Lens

“To reproduce a certain version of reality though a lens is still thrilling, and when you’re lucky enough to work with an inventive director as storyteller, the possibilities are endless. Making a movie is a huge endeavor- expensive and intensive- so it’s an honour to be in a position where one can exercise such creativity with the help of a talented crew.”


Balancing light levels on the set of War, as Jet Li rehearses.

Building Mood

“The tools and techniques available to help capture the scene allow you to mould and sculpt the image to suit the particular story: focal length, depth of field, composition, camera movement, and especially lighting for mood are all mechanisms to help you build the emotion into your scene.”

The Demo Reel

“I’ve been lucky enough to have shot a good cross section of genres in my career, and I try to reflect that when I put together my own demo reel.”

How to Pick a Project

“I love going from a suspense thriller to a western to a romantic comedy to an action film. I’d never turn down a project if it had a good script and a courageous director.”

Storytelling is the Key

“The first question from new film students often is “what cameras are we using?” I’d respond with the applicable equipment to be employed for that time period. But I would also remind them that cinematography is so much more than just the tools of our trade; it’s learning how to tell a story visually, manipulating time and space, light and shadow, and exploring character and subtext.”

Understanding Narrative and Progression is Essential

“Young shooters have a wealth of resources these days to study the work of brilliant filmmakers over the last century. It’s this understanding of narrative and the progression of imagery that is most interesting and rewarding to me, and it’s my hope to share this aesthetic with the students.”

Get Out There and Shoot…Do the Work

“My advice to those who are at the beginning of their career is this: don’t expect to play the piano without practicing. Accordingly, in film, shoot anything and everything. Even if the project may not give you beauty shots for your reel, you’ll be meeting directors, producers, ADs, colourists, editors and so many other enthusiastic people just like yourself. It’s a great community to be a part of, and the opportunities come when you’re an active participant.”

Why InFocus Film School

“In Focus has grown rapidly from the new school on the block to a significant facility where students can experiment with all aspects of filmmaking until they decide what discipline they want to pursue. The instructors are professionals and the atmosphere is friendly.”

Being a successful cinematographer is so much more than having the newest or best gear. Great cinematographers are storytellers who strive to reveal the human condition though a lens and back to the audience. A painter with a brush uses colour, light and shadow to evoke beauty, or fear; cinematographers use cameras to create moving visual scenes using shadow and light in the same way.

Learn more about cinematography and filmmaking in our 6-month Foundation Film Program, or 10-month Film Production Program.