I am obsessed with the eccentric director Ulrich Seidl. He is Austria’s equivalent to the blatantly creepy American filmmaker Todd Solondz. The Paradise Trilogy, a portrait of three women related by blood, is deliberately slow and includes ten-minute static scenes with mundane dialogue. But every moment feels honest, absorbing and occasionally funny. Paradise Hope, set in a militant Austrian diet camp is anything but hopeful, as a chubby adolescent girl falls for a middle aged doctor. Paradise Love features an overweight sexually ravenous Austrian cougar on vacation in Kenya. Paradise Faith, the most riveting of the three, tells the story of a dowdy middle-aged female evangelist who has romantic sexual feelings for Christ.

The exquisite cinematography is minimalist and the masterful art direction, especially in the diet camp, has a cold war East European sensibility. These critically acclaimed films are polarizing, as Seidl
is an acquired taste, so if you are expecting an uplifting experience, with a moralistic tale, look elsewhere. Seidl’s bleak and intimate portrait of three women is not searching for solutions to misplaced morals. However, it delivers unvarnished honesty and therein lies it’s beauty. 

The Paradise Trilogy is available on Netflix US.

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still taken from Paradise: Love

There is a lot to consider when deciding to go to film school. Because it is a creative art, some may even argue that filmmaking can’t be taught in a classroom, and is better learned on your own. As an independent film school we’re all for indie productions and a DIY ethos. But, we also believe film school is the best way to sharpen your skills and produce portfolio quality work.

Why? First and foremost: creativity breeds creativity. We’re familiar with the lone mad genius trope. But the reality is, we can all benefit from receiving creative feedback – particularly when it comes from experienced industry professionals. Filmmaking is an ever­ evolving art, and the industry thrives on innovative and unique ideas. Working in a creative environment with practicing and emerging filmmakers is the best way to explore and push the boundaries of your filmmaking vision.

IMG_5433Which brings us to the next point. We know you’re passionate about filmmaking and determined to pursue your dream project. Yet setting aside time to do so can often be a challenge. Attending film school gives you an opportunity to explore your ideas, learn new techniques, and hone your craft.­Although it might seem counterintuitive, deadlines are useful because they increase productivity and time management. Instead of being relegated to the “when I have time,” pile attending film school allows you to focus on just one thing: your personal development as a filmmaker.

It also allows you to explore the different technical aspects of filmmaking. From pre­production through to post­production, there are countless processes involved in making a film. While many film industry professionals specialize in one area such as directing or cinematography, understanding the basic processes behind each facet is essential to your development as a filmmaker.

And of course, collaborating with fellow students on a variety of film projects gives you on set experience, and can lead to lasting creative partnerships.

Perhaps most importantly, attending film school gives you the opportunity to build a strong and diverse portfolio of work. Your show reel is your calling card – from entry­level positions to funding an independent project, it’s your key to the industry.

As user­friendly cameras, accessible editing software and online tutorials become increasingly popular, learning about filmmaking on your own is much easier than it used to be. And like any field, much of the learning process is trial and error. Delving into film school expedites the learning curve so that you can realize your potential, and your filmmaking vision, that much sooner.