Every now and then a film is mistaken for a masterpiece and achieves international acclaim despite an unimaginative and tedious plot, such as “Amore”. Then there is the case of the hidden masterpiece: warmly embraced by festival audiences only to disappear without a flicker of publicity shortly thereafter, such as “Like Someone In Love”.

LikeSomeoneInLoveFilm-300x251Like Someone In Love, set in Tokyo, is directed by Abbas Kiarostami, a man who barely speaks a word of Japanese. He doesn’t have to speak Japanese because he is too busy inventing a new cinematic language that relies on tone and subtext rather than plot. This is a director confident enough to spend twelve minutes in a taxi while Akiko, a fashionable college aged, call­ girl listens to eight phone messages while staring blankly at the neon lit Tokyo streetscapes. The repeated messages are from her visiting grandmother politely wondering why Akiko is a no ­show for their meeting at the train station.

Akiko is on route to visit her next client Takashi, an unassuming eighty­-one­ year ­old widower. He is a lonely man in search of a one­ night girlfriend experience, an elegant dinner companion. Takashi is flawlessly polite. Sex is the last thing on his mind. Akiko rejects his homemade eel soup and slumps into bed waiting a further call to action. Sex never materializes. It’s a polite film, even by Japanese standards. All of the characters, even Akiko’s ruggedly handsome mechanic boyfriend are painfully polite, and painfully lonely.

Loneliness is at the heart of this film, a feeling we all must face. It’s a hard thing to crush. There is little moralizing about prostitution and a multitude of gaps that leave the viewer pondering the subtle actions by these luminous characters. “Like Someone To Love” is a complex stylized film, by a gifted director.

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