Film Review: Does ‘Amy’ Live Up To Its Namesake?


Amy, the documentary about the tortured British singer Amy Winehouse is an unimaginative power-point not worthy of a theatrical release.

Acclaimed director Asif Kapadiea’s modern day tragedy features old grainy photos of the young impulsive Amy Winehouse and her family villains, especially her dad, who fail to notice the severity of her pain.

Winehouse with her unruly beehive hairdo, Egyptian eyeliner and tiny frame is a brilliant subject who doesn’t want to sound or look anything like her music contemporaries. She weathers mental illness, romantic break-ups, bulimia, drunken performances and the onslaught of flashbulbs from the ravenous paparazzi.

As fucked up as Amy is, she can actually write and the music continues to pour freely leading to Grammys and world acclaim. After her break-through single Rehab, she tours packed stadiums, parties with her boyfriend and ultimately does a stint in rehab, something her father Mitch advises against until she is too far gone.

Although blessed with a unique sound, the trappings of world wide celebrity, the tabloids and her descent into addiction feel all too familiar. Even her soulful live performances are squandered and truncated in favour of dullard talking-head observations by musical collaborators. There is not much new here that has been that has been also already been documented on E-talk!

Savemgid-uma-image-mtv your money and buy her music so you can to listen to her haunting lyrics and savour her bluesy emotional inflections in songs like “Back to Black”, that are deliberately a semi-tone or two off key. Her music, unlike this biopic, leaves more to the imagination.

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